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  • Virtual Tuesday Night Book Club: James Baldwin’s Go Tell It On The Mountain

    Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack and Michael Thomas, each month we’ll explore a different novel. All you have to do is Zoom in and join the discussion!

    This month’s novel is James Baldwin’s GO TELL IT ON THE MOUNTAIN. Go Tell It On The Mountain, first published in 1953, is James Baldwin’s first major work, a novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy’s discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin’s rendering of his protagonist’s spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

    Free and open to the public, but registration is required. You will be provided the Zoom link when you register. 

  • Virtual Tuesday Night Book Club: Jeffrey Eugenides’ The Virgin Suicides

    Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack and Michael Thomas, each month we’ll explore a different novel. All you have to do is Zoom in and join the discussion! Our next book will be Jeffrey Eugenides’ The Virgin Suicides.

    First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters–beautiful, eccentric, and obsessively watched by the neighborhood boys–commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.

    When you register you will be provided the meeting link to join the conversation. CLICK HERE for more information on how to use zoom. Free and open to the public, but registration is required.

  • Virtual Tuesday Night Book Club: Joan Didion’s Play It as It Lays

    Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack and Michael Thomas, each month we’ll explore a different novel. All you have to do is Zoom in and join the discussion!

    This month’s novel is Joan Didion’s PLAY IT AS IT LAYS. A ruthless dissection of American life in the late 1960s, Joan Didion’s Play It as It Lays captures the mood of an entire generation, the ennui of contemporary society reflected in spare prose that blisters and haunts the reader. Set in a place beyond good and evil—literally in Hollywood, Las Vegas, and the barren wastes of the Mojave Desert, but figuratively in the landscape of an arid soul—it remains more than three decades after its original publication a profoundly disturbing novel, riveting in its exploration of a woman and a society in crisis and stunning in the still-startling intensity of its prose.

    When you register you will be provided the meeting link to join the conversation. CLICK HERE for more information on how to use zoom

  • VIRTUAL Tuesday Night Book Club: Colm Tóibín’s Brooklyn

    Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack and Michael Thomas, each month we’ll explore a different novel. All you have to do is Zoom in and join the discussion!

    Our first selection is Colm Toibin’s celebrated Brooklyn (2009). In the novel, Eilis Lacey comes of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm. But just as Eilis begins to fall in love, devastating news from Ireland threatens the promise of her future.

    When you register you will be provided the meeting link to join the conversation. CLICK HERE for more information on how to use zoom

  • Taije Silverman

    Taije Silverman is the author of Houses Are Fields, a book of poems published in 2009 by Louisiana University Press. Her Selected Poems of Giovanni Pascoli (translated from the Italian with Marina Della Putta Johnston) will be published by Princeton University Press in fall 2019. Recent poems and translations have been in The Best American Poetry 2017 and  The Best American Poetry 2016Harvard Review, The Nation, Agni, The Kenyon Review, and elsewhereHer poems are forthcoming in The Gettysburg Review, Five Points, and The Georgia Review. She is the recipient of a 2017 Pushcart Prize, the 2016 Anne Halley Prize for best poem in The Massachusetts Review, a 2011 Fulbright Award, the 2010-11 W.K. Rose Fellowship from Vassar College, and residencies from the MacDowell Colony, Yaddo, and the Virginia Center for the Creative Arts. Houses Are Fields appeared in Italian translation in 2013 (Le Case Sono Campi, trans. Giorgia Pordenoni, Oedipus Edizioni). Silverman previously taught at the University of Bologna, where she was a Fulbright Scholar, and at Emory University, where she was the Creative Writing Fellow.

  • Alexandra Kleeman

    Alexandra Kleeman is a Staten Island-based writer of fiction and nonfiction, and the winner of the 2016 Bard Fiction Prize. Her fiction has been published in The New YorkerThe Paris ReviewZoetrope: All-StoryConjunctions, and Guernica, among others. Nonfiction essays and reportage have appeared in The New York Times Magazine, Harper’sTin Housen+1, and The Guardian. Her work has received scholarships and grants from Bread Loaf, the Virginia Center for the Creative Arts, Santa Fe Art Institute, and ArtFarm Nebraska. She is the author of the debut novel You Too Can Have A Body Like Mine (Harper, 2015) and Intimations (Harper, 2016), a short story collection

  • POSTPONED – Jordy Rosenberg

    Photo by Beowulf Sheehan.

    Jordy Rosenberg is the author of Confessions of the Fox – described by The New York Times as “a mind-bending romp through a gender-fluid, 18th-century London,” named a New York Times Editor’s Choice selection, finalist for the Center for Fiction First Novel Prize, a Lambda Literary Award, and a Publishing Triangle Award. Confessions has been recognized by The New Yorker, the Huffington Post, Buzzfeed, Kirkus Reviews, LitHub, Electric Literature and the Feminist Press as one of the Best Books of 2018.

    Jordy is a professor of 18th-Century Literature, Gender and Sexuality Studies and Critical Theory at The University of Massachusetts-Amherst.

  • Katie Ford

    Location: Wilson Hall

    Katie Ford is the author of Deposition, Colosseum, and the forthcoming Blood Lyrics (Graywolf Press, 2014). Ford is the recipient of a Lannan Literary Fellowship and the Larry Levis Prize. Colosseum was named among the “Best Books of 2008” by Publishers Weekly and the Virginia Quarterly Review. Her poems have appeared in The New Yorker, Poetry, The Paris Review, The American Poetry Review, Ploughshares, and many other journals. She teaches at Franklin & Marshall College and lives in Philadelphia with her husband, the novelist Josh Emmons, and their young daughter.

  • Jan Beatty

    Location:Wilson Auditorium

    Jan Beatty’s fourth full-length book, The Switching/Yard, was published by the University of Pittsburgh Press in February, 2013. A limited edition chapbook, Ravage, was published by Lefty Blondie Press in 2012. Other books include Red Sugar, finalist for the 2009 Paterson Poetry Prize; Boneshaker, finalist, Milton Kessler Award; Mad River, Agnes Lynch Starrett Prize—all published by the University of Pittsburgh Press. Her chapbook, Ravenous, won the 1995 State Street Prize.

    Other awards include the $15,000 Creative Achievement Award in Literature from the Heinz Foundation, the Pablo Neruda Prize for Poetry, Discovery/The Nation Prize finalist, and two fellowships from the Pennsylvania Council on the Arts. Individual poems have appeared in journals such as TriQuarterly, Gulf Coast, Court Green, and Best American Poetry 2013. Her poetry has appeared in anthologies published by Autumn House Press, Coffee House Press, Houghton Mifflin, Oxford University Press, University of Illinois Press, Kent State University Press, and the University of Iowa Press. Beatty’s work has earned writing fellowships at the Santa Fe Arts Institute; the MacDowell Colony; Ragdale; the Montana Artist Refuge; Jentel, Wyoming; Ucross, Wyoming; Hedgebrook, Washington; Whooping Crane Trust, James L. Grahl Research Center; and Leighton Studios at Banff, Alberta, Canada. Her essays on writing have appeared in anthologies by Autumn House Press, Creative Nonfiction, and The State University of New York Press. She has read her work widely, at venues such as the Los Angeles Times Book Festival, the Geraldine R. Dodge Festival, Split This Rock Poetry Festival, Sarah Lawrence College, and the KGB Bar in New York City.

    Beatty worked as a waitress for fifteen years, and as a welfare caseworker, an abortion counselor, and a social worker and teacher in maximum-security prisons. She is the managing editor of MadBooks, a small press that has published a series of books and chapbooks by women writers. For the past twenty years, Beatty has hosted and produced Prosody, a public radio show on NPR affiliate WESA-FM featuring the work of national writers. She has lectured in writing workshops across the country, and has taught at the university level for over twenty years at the University of Pittsburgh, Carnegie Mellon University, and Carlow. Beatty directs the creative writing program at Carlow University, where she runs the Madwomen in the Attic writing workshops and teaches in the MFA program.

  • Anna Journey

    Anna Journey is the author of the poetry collections Vulgar Remedies (Louisiana State University Press, 2013) and If Birds Gather Your Hair for Nesting (University of Georgia Press, 2009), which was selected by Thomas Lux for the National Poetry Series. Her poems have appeared in American Poetry Review, The Best American Poetry, FIELD, The Kenyon Review, The Southern Review, and elsewhere. Her creative nonfiction appears or is forthcoming in At Length, Better, The Southern Review, and elsewhere. She’s received fellowships in poetry from Yaddo and the National Endowment for the Arts, and she teaches creative writing in Pacific University’s Master of Fine Arts in Writing program.

    Location: Wilson Auditorium