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  • MET OPERA: Manon Lescaut (Encore)

    The Met stage ignites when soprano Kristine Opolais and tenor Roberto Alagna join forces in Puccini’s obsessive love story. Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Roberto Alagna is the dashing student who desperately woos her. Director Richard Eyre places the action in occupied France in a film noir setting. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. Met Principal Conductor Fabio Luisi leads the stirring score.

  • MET OPERA: Madama Butterfly (Encore)

    Anthony Minghella’s breathtaking production has thrilled audiences ever since its premiere in 2006. One of the world’s foremost Butterflys, soprano Kristine Opolais, takes on the title role, and Roberto Alagna sings Pinkerton, the naval officer who breaks Butterfly’s heart. Karel Mark Chichon conducts.

    Tickets on sale Friday, July 24

  • MET OPERA: Roberto Devereux (Encore)

    Soprano Sondra Radvanovsky takes on the extraordinary challenge of singing all three of Donizetti’s Tudor queens in the course of a single season, a rare feat made famous by Beverly Sills—and not attempted on a New York stage since. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elīna Garanča and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, conducted by Donizetti specialist Maurizio Benini.

    Tickets on sale Friday, July 24

  • MET OPERA: Elektra (Encore)

    The genius director Patrice Chéreau (From the House of the Dead) didn’t live to see his great Elektra production, previously presented in Aix and Milan, make it to the stage of the Met. But his overpowering vision lives on with soprano Nina Stemme—unmatched today in the heroic female roles of Strauss and Wagner—who portrays Elektra’s primal quest for vengeance. Legendary mezzo-soprano Waltraud Meier is chilling as Elektra’s fearsome mother, Klytämnestra. Soprano Adrianne Pieczonka and bass Eric Owens are Elektra’s troubled siblings. Chéreau’s musical collaborator, Esa-Pekka Salonen, conducts.

    Tickets on sale Friday, July 24

  • Broadway’s Next H!t Musical

    Every song is fresh.
    Every scene is new.

    Every night is different.
    It’s all improvised and it’s all funny.

     
    The New York Times calls Broadway’s Next H!T Musical “Hilarious!” Time Out NY says “At last! A musical of, for, and by the people.”



    The hilarious Broadway’s Next H!T Musical is the only unscripted theatrical awards show. Master improvisers gather made up, hit song suggestions from the audience and create a spontaneous evening of music, humor, and laughter. The audience votes for its favorite song and watches as the cast turns it into a full-blown improvised musical – complete with memorable characters, witty dialogue, and plot twists galore. BNHM has been seen recently at The Triad, Tribeca Film Festival, and at the New York Musical Theater Festival, among many others.

    For more info:

    http://www.broadwaysnexthitmusical.com/

  • Indian Ink’s The Elephant Wrestler

    “Generous spirited… I came out feeling rejuvenated as well as entertained” – Sydney Morning Herald

    The contradictions of modern India with its iPhones and ancient gods come alive in this outrageously funny and heartbreakingly beautiful romantic thriller. A poor chaiwallah (tea seller) has his life changed forever when a young girl is abandoned at a busy railway station and brings the place to a standstill with the beauty of her singing. With a few well-chosen words, actor and playwright Jacob Rajan paints a rich visual tableaux full of arresting detail and displays a remarkable ability to dive into the emotional heart of an ever-changing parade of characters.

    Indian
    Ink Theatre Company has become one of New Zealand’s most successful touring theatre companies performing in every major New Zealand theatre and city since 1997. The company blends western theatrical traditions with eastern flavors and has been critically acclaimed for its use of live music, heightened theatricality, humor, pathos and great storytelling.

    This engagement of Indian Ink Theatre Company is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. For more information visit www.midatlanticarts.org

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  • ART NOW: Eric Barry Drasin and Phillip David Stearns

    Demonstration: 4:30 pm Rechnitz Hall room 216

    Artist Lecture: 6:00 pm Wilson Auditorium

    Eric Barry Drasin is a Brooklyn-based artist, musician and curator working at the intersection of digital media, performance and installation. Rooted in the Expanded Cinema tradition, his work explores the relationship between composition, interface, performance, score, and synesthetic audiovisual systems.

    Eric Barry Drasin’s website

    Phillip David Stearns is also based in Brooklyn. His work is centered on the use of electronic technologies and electronic media to explore dynamic relationships between ideas and material. Deconstruction, reconfiguration, and extension are key methodologies and techniques employed in the production of works that range from audio visual performances, electronic sculptures, light and sound installation, digital textiles, and other oddities both digital and material. 

    Phillip David Stearn’s website

    Eric and Phil will give a joint artist lecture as well as lead a demonstration of their tools and techniques.

  • Visiting Writer: Ed Hirsch

    Edward Hirsch, a MacArthur Fellow, has published nine books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work, and Gabriel: A Poem (2014), a book-length elegy that The New Yorker called “a masterpiece of sorrow.”  He has also written five prose books, among them A Poet’s Glossary (2014), a complete compendium of poetic terms, and How to Read a Poem and Fall in Love with Poetry (1999), a national bestseller.  He has received numerous awards and fellowships, including the National Book Critics Circle Award, a National Endowment for the Arts Fellowship, and the American Academy of Arts and Letters Award for Literature.  He taught in the Creative Writing Program at the University of Houston for seventeen years.  He now serves as president of the John Simon Guggenheim Memorial Foundation.

    More information: www.edwardhirsch.com

  • Visiting Writer: Jane Hirshfield

    Jane Hirshfield’s poetry speaks to the central issues of human existence—desire and loss, impermanence and beauty, the many dimensions of our connection with others and the wider community of creatures and objects with which we share our lives. Demonstrating with quiet authority what it means to awaken into the full capacities of attention, her work sets forth a hard-won affirmation of our human fate. Described by The New York Times as “radiant and passionate” and by other reviewers as “ethically aware,” “insightful and eloquent,” and as conveying “succinct wisdom,” her subjects range from the metaphysical and passionate to the political, ecological, and scientific to subtle unfoldings of daily life and experience. Her book of essays on the “mind of poetry” and her several collections presenting and co-translating the work of poets from the past have become classics in their fields. An intimate, profound, and generous master of her art, Hirshfield has taught at UC Berkeley, Duke University, Bennington College, and elsewhere, and her many appearances at writers’ conferences and literary festivals in this country and abroad have been highly acclaimed.

    Jane Hirshfield is the author of eight collections of poetry, including the newly published The Beauty (Knopf, 2015); Come, Thief; After (shortlisted for England’s T.S. Eliot Prize and named a “best book of 2006” by the Washington Post, the San Francisco Chronicle, and the London Financial Times); Given Sugar, Given Salt (finalist for the 2001 National Book Critics Circle Award); The Lives of the Heart; and The October Palace, as well as two  books of essays, the newly published Ten Windows: How Great Poems Transform the World (Knopf, 2015) and Nine Gates: Entering the Mind of Poetry. She has also edited and co-translated four books containing the work of poets from the past: The Ink Dark Moon: Love Poems by Komachi & Shikibu, Women of the Ancient Japanese Court; Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women; Mirabai: Ecstatic Poems; and The Heart of Haiku, on Matsuo Basho, named an Amazon Best Book of 2011.

    Hirshfield’s other honors include The Poetry Center Book Award; fellowships from the Guggenheim and Rockefeller Foundations, the National Endowment for the Arts, and the Academy of American Poets; Columbia University’s Translation Center Award; and (both twice) The California Book Award and the Northern California Book Reviewers Award. In 2012 she was received the Donald Hall-Jane Kenyon Prize in American Poetry.

    Hirshfield’s work has appeared in The New Yorker, The Atlantic, The Times Literary Supplement, Harper’s, The Nation, Orion, The American Poetry Review, Poetry, eight editions of The Best American Poetry, five Pushcart Prize Anthologies, and many other publications.  Her work frequently appears on Garrison Keillor’s “Writers Almanac” program and she has been featured in two Bill Moyers PBS television specials. In fall 2004, Jane Hirshfield was awarded the 70th Academy Fellowship for distinguished poetic achievement by The Academy of American Poets, an honor formerly held by such poets as Robert Frost, Ezra Pound, William Carlos Williams, and Elizabeth Bishop. In 2012, she was elected a Chancellor of the Academy of American Poets.

  • Visiting Writer: Laura Kasischke

    Laura Kasischke has published eight collections of poetry and eight novels.  She was the recipient of the National Book Critics Circle Award for Poetry for her collection SPACE, IN CHAINS (Copper Canyon Press, 2011).  She has also been the recipient of a Guggenheim Fellowship, the Rilke Award for Poetry, the Bess Hokin Award from POETRY magazine, and two fellowships from the National Endowment for the Arts.  She is teaches in the MFA Program and the Residential College at the University of Michigan, from which she graduated.  She lives with her husband and son in Chelsea, Michigan.

    More information: www.laurakasischke.com