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  • Poetry Readings with Q&A Featuring Alicia Ostriker & Joan Larkin

    ALICIA OSTRIKER has published 19 collections of poetry, been twice nominated for the National Book Award, and has twice received the National Jewish Book Award for Poetry, among other honors. Her work has appeared in The New Yorker, The Yale Review, American Poetry Review, Best American Poetry , The Atlantic , Prairie Schooner, and other journals, and has been translated into numerous languages including Hebrew and Arabic. Her most recent collections of poems are Waiting for the Light and The Volcano and After:Selected and New Poems 2002 – 2019 . She was New York State Poet Laureate for 2018 – 2021 and a Chancellor of the Academy of American Poets in 2015 – 2020.

    JOAN LARKIN is the author of five previous collections of poetry, including Blue Hanuman (2014); My Body: New and Selected Poems (2007), which received the Audre Lorde Award from the Publishing Triangle; Lambda Literary Award winner Cold River (1997); and Housework (1975). With Jaime Manrique, Larkin translated Sor Juana’ s Love Poems, a bilingual edition of Sor Juana Inez de la Cruz’ s poetry (1997). Her prose works include I f You Want What We Have: Sponsorship Meditations (1998) and Glad Day: Daily Meditations for Gay, Lesbian, Bisexual, and Transgender People (1998). Her plays include The AIDS Passion, The Living, and Wiretap.

    This event is being held in conjunction with A Tribute to Jean Valentine – Panel Discussion on October 29 at 2:50 in the Julian Abele Room.

    Hosted By Department of English (Brother Austen Poets-in-the-Classroom Series) in partnership with the Visiting Writers Series

  • Bring in Da Funk, Part II

    Class Schedule: Thursdays – December 5 & 12 | 7:30 – 9:00 PM

    Parliament/Funkadelic’s George Clinton declared “we want the funk,” and by the mid-70s the genre was in full swing. On the R&B and pop charts as well as on the dance floor, funk had officially taken over. This two-session virtual course taught by Kit O’Toole covers the peak of the genre, its eventual decline in popularity, and its continuing influence. Artists examined include the Ohio Players, Stevie Wonder, Average White Band, Kool and the Gang, Earth, Wind, and Fire, the Commodores, Cameo, Slave, Zapp and Roger, and many more. In addition, subgenres including go go, punk funk (coined by Rick James), funk rock, and Bay Area funk will be covered. The course includes multimedia presentations and class discussions.

    Zoom Link will be provided upon registration.

  • Bring in Da Funk, Part II

    Class Schedule: Thursdays – December 5 & 12 | 7:30 – 9:00 PM

    Parliament/Funkadelic’s George Clinton declared “we want the funk,” and by the mid-70s the genre was in full swing. On the R&B and pop charts as well as on the dance floor, funk had officially taken over. This two-session virtual course taught by Kit O’Toole covers the peak of the genre, its eventual decline in popularity, and its continuing influence. Artists examined include the Ohio Players, Stevie Wonder, Average White Band, Kool and the Gang, Earth, Wind, and Fire, the Commodores, Cameo, Slave, Zapp and Roger, and many more. In addition, subgenres including go go, punk funk (coined by Rick James), funk rock, and Bay Area funk will be covered. The course includes multimedia presentations and class discussions.

    Zoom Link will be provided upon registration.

  • Podcasting for Beginners

    Class Schedule: Thursdays – November 7 & 14 | 7:30 – 9:00 PM

    In this two-session virtual course taught by Robert Rodriguez, students will learn how to produce a podcast from the planning stage to the final upload. The two sessions will focus on developing a concept, basic recording technology, post-production and launching onto Apple & Spotify. No previous podcasting experience is required.

    Zoom Link will be provided upon registration.

  • Podcasting for Beginners

    Class Schedule: Thursdays – November 7 & 14 | 7:30 – 9:00 PM

    In this two-session virtual course taught by Robert Rodriguez, students will learn how to produce a podcast from the planning stage to the final upload. The two sessions will focus on developing a concept, basic recording technology, post-production and launching onto Apple & Spotify. No previous podcasting experience is required.

    Zoom Link will be provided upon registration.

  • Producing the Beatles

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    Based on his acclaimed podcast, Producing the Beatles, Jason Kruppa explores the music of the Fab Four from the perspective of the one person whose point of view has never been properly and thoroughly examined: their producer, George Martin. Using innovative techniques to break down their recordings, we’ll discover how the Beatles went from learning their way around the studio to becoming masters of the art of recording, with their producer working side by side with them each step of the way. And finally, with re-recordings and detailed recreations of Martin’s orchestral scores that allow us to hear individual instrument parts,, we’ll learn how his arrangements enhanced and shaped the Beatles’ music.

    Zoom Link will be provided upon registration.

  • Producing the Beatles

    v

    Based on his acclaimed podcast, Producing the Beatles, Jason Kruppa explores the music of the Fab Four from the perspective of the one person whose point of view has never been properly and thoroughly examined: their producer, George Martin. Using innovative techniques to break down their recordings, we’ll discover how the Beatles went from learning their way around the studio to becoming masters of the art of recording, with their producer working side by side with them each step of the way. And finally, with re-recordings and detailed recreations of Martin’s orchestral scores that allow us to hear individual instrument parts,, we’ll learn how his arrangements enhanced and shaped the Beatles’ music.

    Zoom Link will be provided upon registration.

  • WRITING MEMOIR

    **Please note the change in dates due to a scheduling conflict**
    Class Schedule: Tuesday
     – Sept. 17 & 24 | 7:30 – 9:00 PM

    This two-session virtual course taught by Mike Farragher provides attendees with an introduction to basic modes for telling the stories of their lives. Working in a supportive workshop setting, students will enjoy engaging, wide-ranging discussion about the joys and challenges of bringing their memories to life. Instructor: Mike Farragher, Monmouth University alumnus and author of numerous works of fiction and memoir.

    Zoom Link will be provided upon registration.

  • WRITING MEMOIR

    **Please note the change in dates due to a scheduling conflict**
    Class Schedule: Tuesday
     – Sept. 17 & 24 | 7:30 – 9:00 PM

    This two-session virtual course taught by Mike Farragher provides attendees with an introduction to basic modes for telling the stories of their lives. Working in a supportive workshop setting, students will enjoy engaging, wide-ranging discussion about the joys and challenges of bringing their memories to life. Instructor: Mike Farragher, Monmouth University alumnus and author of numerous works of fiction and memoir.

    Zoom Link will be provided upon registration.

  • Bring in Da Funk, Part I

    Class Schedule: Thursdays – September 12 & 19 | 7:30 – 9:00 PM

    “On the one”—James Brown often defined funk as a groove, emphasizing the first beat, using the ‘one-two-three-four’ downbeat. However, as the Godfather of Soul would agree, funk encompasses more than just a rhythm: it’s about freedom, expression, and dance. If not for funk, disco would have never been born. How did the genre develop, and who were the central figures in the history of funk? This two-session virtual course taught by Kit O’Toole will trace funk through its blues, jazz, soul, New Orleans, and R&B roots. The class will culminate in discussing, among other funk pioneers, three of the music’s most important figures: Brown, Sly and the Family Stone, and George Clinton. The course includes multimedia presentations and class discussions.

    Zoom Link will be provided upon registration.