Close Close
  • Bizet’s Carmen

    Acclaimed English director Carrie Cracknell makes her Met debut, reinvigorating the classic story of deadly passion with a staging that moves the action to the present day, amid a band of human traffickers. Mezzo-soprano Aigul Akhmetshina leads a powerhouse quartet of stars in the touchstone role of the irresistible femme fatale, alongside tenor Piotr Beczała as Carmen’s lover Don José, soprano Angel Blue as the devoted Micaëla, and bass-baritone Kyle Ketelsen as the swaggering Escamillo. Daniele Rustioni conducts Bizet’s heart-pounding score.

  • Verdi’s Nabucco

    Ancient Babylon comes to life in a classic Met staging of biblical proportions. Baritone George Gagnidze makes his Met role debut as the imperious king Nabucco, alongside Ukrainian soprano Liudmyla Monastyrska reprising her thrilling turn as his vengeful daughter Abigaille. Mezzo-soprano Maria Barakova and tenor SeokJong Baek, in his company debut, are Fenena and Ismaele, and bass Dmitry Belosselskiy repeats his celebrated portrayal of the high priest Zaccaria. Daniele Callegari conducts Verdi’s early masterpiece, which features the ultimate showcase for the great Met Chorus, the moving “Va, pensiero.”

  • Daniel Catán’s Florencia en el Amazonas

    Sung in Spanish and inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera focuses on an opera diva, Florencia Grimaldi, who returns to her native Brazil to perform and to search for her lost lover, who has vanished into the jungle. The Met premiere stars soprano Ailyn Pérez as Florencia in a new production by Mary Zimmerman that brings the mystical realm of the Amazon to the Met stage. The distinguished ensemble of artists portraying the diva’s fellow travelers on the river boat to Manaus features Gabriella Reyes as the journalist Rosalba, bass-baritone Greer Grimsley as the ship’s captain, baritone Mattia Olivieri as his enigmatic first mate, tenor Mario Chang as the captain’s nephew Arcadio, and mezzo-soprano Nancy Fabiola Herrera and baritone Michael Chioldi as the feuding couple Paula and Álvaro, with Yannick Nézet-Séguin on the podium.

  • Anthony Davis’s X: The Life and Times of Malcolm X

    Anthony Davis’s groundbreaking opera, which premiered in 1986, arrives at the Met at long last. Robert O’Hara, who was nominated for a Tony Award in 2020 for his direction of Slave Play, oversees a new staging that imagines Malcolm as an everyman whose story transcends time and space. A cast of breakout artists take part in the operatic retelling of Malcom X’s life. Baritone Will Liverman, who triumphed in the Met premiere of Terence Blanchard’s Fire Shut Up in My Bones, sings Malcolm. Soprano Leah Hawkins plays his mother, Louise; mezzo-soprano Raehann Bryce-Davis is his sister Ella; bass-baritone Michael Sumuel is his brother Reginald; and tenor Victor Ryan Robertson is the Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

    Content Advisory: X: The Life and Times of Malcolm X contains strong language.

  • Jake Heggie’s Dead Man Walking

    Yannick Nézet-Séguin (Conductor), Latonia Moore (Sister Rose), Joyce DiDonato (Sister Helen Prejean), Susan Graham (Mrs. Patrick De Rocher), Ryan McKinny (Joseph De Rocher) Jake Heggie’s powerful work has its highly anticipated Met premiere in a new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s poignant music and a libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

    Content Advisory: Dead Man Walking contains a depiction of a rape and murder, as well as other adult themes and strong language.

     

     

  • E. M. Forster’s A Passage to India

    Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is E. M. Forster’s A Passage to India. A Passage to India hauntingly evokes India at the peak of the British colonial era, complete with the racial tension that underscores every aspect of daily life. Into this setting, Forster introduces Adela Quested and Mrs. Moor, British visitors to Chandrapore who, despite their strong ties to the elusive colonial community there, are eager for a more authentic taste of India. But when their fates tangle with those of Cecil Fielding and his local friend, Dr. Aziz, at the nearby Marabar Caves, the community of Chandrapore is split wide open and everyone’s life—British and Indian alike—is inexorably altered.

    When you register you will be provided the meeting link to join the conversation.

  • The Beatles’ A Hard Day’s Night

    It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature The Beatles’ A Hard Day’s Night.

    This event is offered BOTH in person and via Zoom. Join us in person at the Great Hall Auditorium on the Campus of Monmouth University or join us via zoom. When you register you will be provided the ZOOM meeting link to join the conversation.

    Free and open to the public, but registration is required.

  • Kurt Vonnegut’s Slaughterhouse-Five

    Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Kurt Vonnegut’s Slaughterhouse-Five. Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous firebombing of Dresden, Billy Pilgrim’s odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we fear most.

    When you register you will be provided the meeting link to join the conversation.

  • Supertramp’s Breakfast in America

    ***Please note this event will ONLY be on zoom due to scheduling conflicts***

    It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature Supertramp’s Breakfast in America.

    When you register you will be provided the ZOOM meeting link to join the conversation.

    Free and open to the public, but registration is required.

  • Julia Baird’s Imagine This: Growing Up with My Brother John Lennon

    Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Julia Baird’s Imagine This: Growing Up with My Brother John Lennon. The honest and revealing story of John Lennon’s childhood by his sister Julia. Poignant, raw and beautifully written, Baird casts John Lennon’s life in a new light and reveals the source of his emotional fragility and musical genius. It’s also one family’s extraordinary and powerful story of how it dealt with fame and tragedy beyond all imagining.

    When you register you will be provided the meeting link to join the conversation.