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  • CANCELLED – Mustang

    Monmouth University Global Education Office presents World Cinema Series 2019-2020 – “Women: Power and Identity”. A global cinematic survey of women as leaders of change in patriarchal cultures through their engagement in community, national politics, and film.

    When five orphan girls are seen innocently playing with boys on a beach, their scandalized conservative guardians confine them while forced marriages are arranged. (Director: Deniz Gamze Ergüven, 2015)

    Rated: PG-13
    1 hour 37 minutes

  • CANCELLED – Persepolis

    Monmouth University Global Education Office presents World Cinema Series 2019-2020 – “Women: Power and Identity”. A global cinematic survey of women as leaders of change in patriarchal cultures through their engagement in community, national politics, and film.

    A precocious and outspoken Iranian girl grows up during the Islamic Revolution. (Directors: Vincent ParonnaudMarjane Satrapi, 2007)

    Rated: PG-13
    1 hour 36 minutes

  • The Prado Museum: A Collection of Wonders

    THE PRADO MUSEUM: A COLLECTION OF WONDERS celebrates the 200th anniversary of the storied Prado Museum — one of the most-visited museums in the world.  Hosted by Academy Award winner Jeremy Irons, this cinematic journey offers viewers a spell-binding experience, telling the story of Spain and beyond, through the works of Vélazquez, Rubens, Titian, Mantegna, Bosch, Goya, El Greco,and more.

    Runtime: 1 hour 30 minutes

  • Gauguin in Tahiti: Paradise Lost

    GAUGUIN IN TAHITI: PARADISE LOST traces the legendary life story of Paul Gauguin who left France for Tahiti, feverishly in search of deep immersions into lush nature, for feelings, visions and colors, ever purer and brighter.  Audiences join this journey from Tahiti to American museums including New York’s Metropolitan Museum of Art, The Art Institute of Chicago, National Gallery of Art in DC, and Boston’s Museum of Fine Arts where Gauguin’s greatest masterpieces are now preserved.

    Runtime: 1 hour 30 minutes

  • Raymonda

    Choreography by Marius Petipa

    Raymonda is betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him.

    Raymonda is a must-see of the Bolshoi, a work of living dance history showcasing the ballerina as the ultimate virtuoso. Being one of legendary choreographer Marius Petipa’s final works, he fully armed this ballet with beautiful court scenes, romantic corps de ballet dances, Hungarian czardas and a title role suited for the most outstanding ballerina.

    Runtime: 3 hours

  • Le Corsaire

    Choreography by Alexei Ratmansky

    On the bazaar square of Andrinopolis, the Pacha is struck by the beauty of Medora and tries to buy her, but the lovely young woman is not for sale. As the transaction is about to be completed, Medora is kidnaped by Conrad, a charming corsair (pirate) who catches her eye. Bolshoi Prima Ballerina, the “mesmerizing” Ekaterina Krysanova and Leading Soloist Igor Tsvirko ignite Medora and Conrad’s passion with undeniable intensity. (The GuardianLe Corsaire remains a breath-taking production reworked by Alexei Ratmansky, who has created enough dancing for nearly the entire troupe, along with luxurious cinematic sets and a shipwreck, bringing the magnificence of the Bolshoi to life.

    Runtime: 3 hours 30 minutes

  • Giselle

    Tickets on sale July 1

    Choreography by Alexei Ratmansky

    The young peasant girl Giselle dies of a broken heart when she learns that the man she loves, Albrecht, has betrayed her. Against her own will, she joins the Wilis, vengeful spirits of jilted brides who condemn Albrecht to dance until he dies of exhaustion.

    In this brand-new production of Giselle, world renowned choreographer Alexei Ratmansky brings a fresh perspective to one of the oldest and greatest works of classical dance, giving the audience an opportunity to discover this iconic ballet anew.

    Runtime: 2 hours 30 minutes

  • CANCELLED – Swan Lake

    Choreography by Yuri Grigorovich

    Prince Siegfried is summoned by his parents to choose a bride. However, he encounters a mysterious and magnetic swan-woman, Odette, by the lake and is captivated. His vow of eternal love to her will have irreversible consequences.

    Tchaikovsky’s essential masterpiece returns for a live broadcast of the most-beloved ballet in the classical canon. Technically challenging and filled with vibrant emotion, with a stunning and world-famous corps de ballet in perfect unison, the legendary love story between Prince Siegfried and the dual personalities Odette/Odile, born at the Bolshoi Theatre, is a must-see.

    Runtime: 2 hours 45 minutes

  • Vincent DiMattio: DreamPaths and Napkin Drawings

    An exhibit of drawings on napkins and new works by Vincent DiMattio. DiMattio earned his MFA from Southern Illinois University and his BFA from Massachusetts College of Art. He joined Monmouth University’s faculty in 1968 where he served as the department chair for 13 years and as gallery director for more than 20 years. He has shown his work internationally in Madrid, Spain; San Juan, Puerto Rico and Pueblo, Mexico. He has also exhibited throughout the United States, and at both the Newark and Trenton Museums.

  • Van Gogh: Of Wheat Fields and Clouded Skies – Encore Screening

    ON SALE MAY 10

    Take a fresh look at Van Gogh through the legacy of the greatest private collector of the Dutch artist’s work: Helene Kröller-Müller (1869-1939), one of the first to recognize the genius of Van Gogh. In the early 20th century, Kröller-Müller amassed nearly 300 of Van Gogh’s paintings and drawings now housed at her namesake museum in Holland.

    The Basilica Palladina exhibition in Vicenza, “Amid Wheat Fields and Clouded Skies,” with 40 paintings and 85 drawings on loan from the Kröller-Müller Museum, lends the basis of this program, revealing Van Gogh’s art and his genius, while allowing audiences to understand the importance of drawing as part of his craft.

    Van Gogh’s seemingly instinctive canvases were the result of long, preparatory studies very rarely exhibited – not just sketches but stunning works of art in and of themselves, where the broken flow of lines that characterize the style and strokes in Van Gogh’s paintings can already be seen.

    Produced by 3D Productions and Nexo Digital