Selections from the Monmouth University Collection
Featuring selections from Monmouth University’s permanent collection including works by Adam Wurtz, Salvadore Dali, Jacob Landau, and Robert Mueller among others.
Featuring selections from Monmouth University’s permanent collection including works by Adam Wurtz, Salvadore Dali, Jacob Landau, and Robert Mueller among others.
Aaron Wexler’s work investigates shapes in nature as they relate to abstraction in painting. He collects distinctly different representations of abstraction of nature and architectural networks and utilizing prints, books, photographs and hand painted paper, makes drawings and collages from these source materials. Wexler received his M.F.A from the School of The Art Institute of Chicago in 1999. His work has been included in various solo and group shows in New York and London including the Morgan Lehman Gallery, Josee Bienvenu Gallery, The National Academy Museum, and Katonah Museum of Art, among others.
Bruce Springsteen: A Photographic Journey, a traveling photography exhibition curated by the GRAMMY Museum Los Angeles, features 45 iconic images. The opening reception on September 27 from 1-4 PM will include a Q&A with the photographers moderated by Grammy Museum Executive Director Bob Santelli at 2:30 PM.
Lucy Kaplansky and Richard Shindell have been singing together for 25 years. And they’ve talked about making a record together for just as long. In summer 2014 an extraordinarily successful Kickstarter campaign raised the initial goal of $40,000 in 24 hours, going on to ultimately reach over $85,000, to bring that desire to fruition under the band name “The Pine Hill Project.” “Tomorrow You’re Going,” an Americana masterwork of great songs, gorgeous harmonies, and stunning production was released in 2015. The album is at turns meditative, joyful, rollicking, and deeply moving, and a one of a kind musical event. You don’t want to miss the opportunity to see and hear Richard and Lucy perform as “The Pine Hill Project” live in the perfect setting of Pollak Theatre.
Experience the village of Mbiriizi in Uganda, Africa. This exhibit tracks the progress of the Mbiriizi Advanced Primary School and its children over the last 12 years. It celebrates their lives through pictures, stories, crafts, batiks and artifacts. See the growth made possible through one woman’s determination to make a difference. The richness and beauty of the culture (as well as its poverty) is shared through audio clips from travelers who have visited and experienced the school. It is an exhibit of joy, of determination, of success, of life.
This enchanting musical is based on C.S. Lewis’ adventure story about four children of war-torn England, who accidentally enter the land of Narnia by climbing through a magic wardrobe. This strange and wondrous place is ruled by the cold-hearted White Witch, who makes the winter last year round. Although they seem unlikely saviors, the children fulfill an ancient prophecy by defeating the witch, thus restoring sunshine and peace to the spell-bound Narnia and returning the great Lion King Aslan to his throne.
The classic American musical by Cole Porter is the first musical presented this fall at historic Woods Theatre by Monmouth University’s Department of Music and Theatre Arts.
In her more than 60 years as a groundbreaking artist, Miriam Beerman has overcome loss and tragedy to inspire friends, family, and fans about how to remain defiant, creative and strong. Miriam Beerman: Expressing the Chaos is the retrospective of a remarkable career and the profile of an artist whose personal demons and empathy for human suffering colored a lifetime of her work.
Every song is fresh. Every scene is new.
Every night is different. The hilarious Broadway’s Next H!T Musical is the only unscripted theatrical awards show. Master improvisers gather made up, hit song suggestions from the audience and create a spontaneous evening of music, humor, and laughter. The audience votes for its favorite song and watches as the cast turns it into a full-blown improvised musical – complete with memorable characters, witty dialogue, and plot twists galore. BNHM has been seen recently at The Triad, Tribeca Film Festival, and at the New York Musical Theater Festival, among many others.
The contradictions of modern India with its iPhones and ancient gods come alive in this outrageously funny and heartbreakingly beautiful romantic thriller. A poor chaiwallah (tea seller) has his life changed forever when a young girl is abandoned at a busy railway station and brings the place to a standstill with the beauty of her singing. With a few well-chosen words, actor and playwright Jacob Rajan paints a rich visual tableaux full of arresting detail and displays a remarkable ability to dive into the emotional heart of an ever-changing parade of characters.
Verdi’s masterful Otello matches Shakespeare’s play in tragic intensity. Director Bartlett Sher probes the Moor’s dramatic downfall with an outstanding cast: tenor Aleksandrs Antonenko plays the doomed Otello; new soprano star Sonya Yoncheva sings Desdemona, Otello’s innocent wife and victim; and baritone Željko Lučić plays the evil Iago, who masterminds Otello’s demise. Dynamic maestro Yannick Nézet-Séguin conducts.
Tickets on sale Friday, July 24
The Monmouth University Urban Coast Institute will host a symposium exploring the results of a three-year comprehensive study of the health of Barnegat Bay on Nov. 10.
The Wayne D. McMurray School of Humanities and Social Sciences Distinguished Speaker Series: Oral Testimonies of Franco’s Repression in Spain: Mourning, Memory, and Symbolic Resistance Lecture presented by Dr. Francie Cate-Arries, Professor of Hispanic Studies, The College of William & Mary.
Guest Speaker on Digital Forensics; Co-sponsored by Dept. of Computer Science & Software Engineering (CSSE) and the New Jersey Coast Section of IEEE
Tickets on sale July 8 at 10 AM. Colin Hay is familiar to millions as the frontman, songwriter, and vocalist of pop sensation Men at Work (Down Under, Overkill, Who Can it Be Now?). Hay is justifiably proud of his place in pop history, but since moving to Los Angeles in 1989, he’s made 11 critically-acclaimed solo albums, including the highly successful Man at Work, and has recently announced the release of his new album Next Year People. Next Year People is the work of an artist who is a true master of his craft. Over the past 15 years Hay has reinvented himself as a solo artist, regularly selling out theaters and listening rooms across the US and around the world and introducing himself to a new generation of fans in the process. The frequent use of Hay’s music in TV and film—including hit shows such as Scrubs, Army Wives and Modern Family and on soundtracks to the films Garden State and Words and Pictures—has proven the timeless appeal of his songs.
Gregory Nava’s “El Norte” (1983) (R) Mayan Indian peasants escaping labor and a murderous Guatemalan government head to America in hopes for something better.
The world of contemporary visual art is often intimidating, challenging, and seemingly
unapproachable. To help break those perceptions and barriers, New Jersey Museum of
Contemporary Art will present “Art Conversations,” a series of three scholar-led panel talks that
will provide context and insight into what defines contemporary art, its transformational trends,
and its relevance and impact on society. The highly credentialed and charismatic United Nations
journalist Alexandra King will moderate conversations with art critics, collectors, curators,
technology producers, and artists.
This panel will focus on Insights into the nuances and impact of contemporary visual art on society and will feature STEPHEN WESTFALL, artist and critic who is a contributing editor to Art in America; ISAAC LYLES owner of the Lyles King Gallery in NYC; and art collector STEVE SHANE.
“The only thing that matters is the song,” says singer-songwriter Madeleine Peyroux. That conviction along with a ‘one of a kind’ voice, has carried the Jazz artist from busking on the streets of Paris, all the way to mainstream recognition. Through intensely distinctive renditions of old classics and modern tunes by the likes of Leonard Cohen and The Beatles, Peyroux has proved to be an uncannily insightful ‘interpreter’ with her consistently impeccable choice of material. Peyroux’s new album, The Blue Room, sees the genre-blending singer reworking some landmark musical gems, in a repeat collaboration with longtime Peyroux producer Larry Klein (Joni Mitchell, Walter Becker, Tracy Chapman, Herbie Hancock) The result is a sophisticated album that rather than just ‘crossing over’, seamlessly fuses musical styles together to create an entirely new sound. Peyroux has come a long way from the streets of Paris to the word’s grandest concert halls and collaborating with the some of the world’s finest musicians. Still, where other artists might rest on their laurels and bask in the glory of countless gushing reviews, Peyroux continues to fearlessly explore new territories.
Hugh Masekela, a world-renowned flugelhornist, trumpeter, bandleader, composer, singer, and defiant political voice, combines his talents with powerhouse pianist Larry Willis for a show of epic proportions. These two giants of the jazz world put on a one-of-a-kind show together, after decades of cultivating careers apart. Willis and Masekela met while they were both students at the Manhattan School of Music some 50 years ago. After coming under the tutelage of Dizzy Gillespie and Louis Armstrong, Masekela went on to carve out a five-decade-long (and counting) career, releasing over 40 solo albums. His 1986 anti-apartheid anthem “Bring Him Back Home (Nelson Mandela)” became a rallying call around the world for Mandela’s release from prison. At the same time, Willis has performed or recorded with almost every great jazz musician of the modern era, including Dizzy Gillespie, Lee Morgan, Woody Shaw, Cannonball and Nat Adderley, and Stan Getz. Don’t miss this rare chance to watch these two jazz legends (and dear friends) perform together.
James Levine conducts Wagner’s early masterpiece in its first return to the Met stage in more than a decade. Today’s leading Wagnerian tenor Johan Botha takes on the daunting title role, opposite soprano Eva-Maria Westbroek as Elisabeth, adding another Wagner heroine to her Met repertoire after her acclaimed Sieglinde in the Ring a few seasons ago. On the heels of his recent triumph in Parsifal, baritone Peter Mattei sings Wolfram, and mezzo-soprano Michelle DeYoung is the love goddess, Venus.
Tickets on sale Friday, July 24
Edward Hirsch, a MacArthur Fellow, has published nine books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work, and Gabriel: A Poem (2014), a book-length elegy that The New Yorker called “a masterpiece of sorrow.” He has also written five prose books, among them A Poet’s Glossary (2014), a complete compendium of poetic terms, and How to Read a Poem and Fall in Love with Poetry (1999), a national bestseller. He has received numerous awards and fellowships, including the National Book Critics Circle Award, a National Endowment for the Arts Fellowship, and the American Academy of Arts and Letters Award for Literature. He taught in the Creative Writing Program at the University of Houston for seventeen years. He now serves as president of the John Simon Guggenheim Memorial Foundation.
Please note this event is SOLD OUT! The Friends of the Bruce Springsteen Special Collection, along with Monmouth University and Backstreets.com announce a special event to celebrate the 35th anniversary of the release of The River and the forthcoming release of The Ties That Bind: The River Collection box set.
The Festival of World Languages and Cultures showcases the talents of students and faculty from the Department of World Languages and Cultures. Performances include poetry readings, singing, dancing, instrumental and acting productions all in the target language the students are studying. In addition, students create posters and cook authentic dishes from the target language country […]
The Chimp psychologist from Plant of the Apes is back! Zira travelled back in time to visit us 20 years ago and narrowly escaped death at the hands of the paranoid humans who could not tolerate the idea of other primates as equals. After living in seclusion for 20 years and conducting ethological studies of our species from her hideout, she has emerged in order to share her findings relating to aggressive behavior in members of the home genus. Her lecture is introduced by esteemed posthuman cultural theorist Donna Haraway and is followed by a question and answer session with human audience members. Dr. Zira draws on the cutting edge research in the fields of neuroscience, primatology and evolutionary biology to interpret the predatory activities of human beings in postindustrial societies around the world.
Featuring the work of Monmouth University graduating seniors who will receive their degrees in Graphic Design, Animation or Fine Art.
Glen Burtnik, Salvatore Boyd, Bob Burger & Arne Wendt, performing as The Band, will be joined by local and national talent to recreate not only the music but the celebration, camaraderie and talent that took over the stage November 25 back in 1976.
Tickets on sale Friday, July 24. Acclaimed artist and director William Kentridge (The Nose) applies his unique theatrical vision to Berg’s notorious femme fatale who shatters lives, including her own. Musically, the masterful score is in the sure hands of Met Music Director James Levine. Soprano Marlis Petersen has excited audiences around the world with her portrayal of the tour-de-force title role, a wild journey of love, obsession, and death. Susan Graham joins a winning cast, including Daniel Brenna and Johan Reuter.
Co-sponsored by the MU Department of Computer Science and Software Engineering and the New Jersey Coast Section of IEEE, this lecture includes a Q & A, refreshments, and networking.