Lewis Mumford, a dynamic writer, literary and architectural critic, moralist, historian and philosopher, criticized progress based on the intoxicating power of technology and the machine. He argued that the advancement of civilization should be cultivated by humanism, and that technology should never be used to acquire global domination, promote military prowess, or erode individualism.
‘The paintings in this show for the most part have been inspired by Pre Renaissance and Renaissance iconography. Although some may be based on familiar and traditional themes, all of the paintings are original contemporary interpretations of these themes.’
Inforifices, an exhibition by Jeremiah Teipen, features new works that aestheticize the processes by which we consume (and digest) large amounts of visual information. Teipen creates mesmerizing experiences that mirror our current hyper-saturated mediascape, but also allow the viewer to transcend it.
Opening Reception: Fri. February 7, from 6 – 8 p.m.
Mike Harper a realistic airbrush artist who has illustrated professionally for over 15 years. He has worked with numerous publishing companies and advertising agencies that range from American Tourister to Zebra Pens. Works on display will include various advertising illustrations, book covers, editorial works & promotion pieces used by noted publishers Bantam, Scholastic, & Harlequin.
Please note that the Feb 3 class is cancelled due to snow. A make up date will be scheduled. February 3 – March 10
Monday Evenings
Advanced Class: 6:45 pm
Beginner Class: 8:00 pm
Eyas Lounge in the MAC
Please join instructor Lee Sager of Tango Pantera for a six week session of Argentine Tango Classes. No partner or experience necessary.
The great Renée Fleming returns to one of her signature roles, singing the enchanting “Song to the Moon” in Dvorák’s soulful fairy-tale opera. Tenor Piotr Beczala co-stars as the Prince, Dolora Zajick is Ježibaba, and dynamic young maestro Yannick Nézet-Séguin is on the podium.
The National Theatre’s original stage production of War Horse, broadcast live from London’s West End to cinemas.
Since its first performance at the National Theatre in 2007, War Horse has become an international smash hit, capturing the imagination of four million people around the world.
Based on Michael Morpurgo’s novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France. Filled with stirring music and songs, this powerfully moving and imaginative drama is a show of phenomenal inventiveness. At its heart are astonishing life-size puppets by South Africa’s Handspring Puppet Company, who bring breathing, galloping, charging horses to thrilling life on stage.
Borodin’s defining Russian epic, famous for its Polovtsian Dances, comes to the Met for the first time in nearly 100 years. Dmitri Tcherniakov’s new production is a brilliant psychological journey through the mind of its conflicted hero, with the founding of the Russian nation as the backdrop.
Encore: Sun. March 30 at 1:00 p.m
For almost 40 years, Les Ballets Trockadero de Monte Carlo, have been performing hilarious and technically impressive parodies of the world’s most-loved ballets. Performing in tutus, tiaras and tights, this all-male ballet company specializes in hilarious twists on the classics such as Swan Lake and Giselle, with equal parts comedy and technical prowess. Devoted fans and newcomers alike will be awed and delighted by the company’s loving knowledge of dance, comic approach, and the astounding fact that men can, indeed, dance en pointe without falling flat on their faces.
The story of a hapless florist shop worker who raises a plant from outer space that feeds on human blood, comes to Monmouth University’s Woods Theatre.
Jennifer Levonian creates animations and paintings in Philadelphia, PA. In addition to delivering an artist lecture and screening a few of her short films, Jennifer will lead a workshop on stop motion animation.
National Theatre Live’s 2010 broadcast of Frankenstein returns to cinemas as part of the National Theatre’s 50th anniversary celebrations.
A young Hasidic Jewish woman is pressured into an arrange levirate marriage to an older widower.
Undergraduate mid-term grades are due in the Office of the Registrar. Grades will be posted approximately two days after the Office of the Registrar has received all grades
Intended to express and highlight the beauty of science – through images, drawings, and photos of natural forms and visualization of scientific, mathematic, and engineering processes based on the research and coursework of MU faculty and students. Images will reveal the elegance of science art in scientific results, observations, and failures.
The National Theatre’s original stage production of War Horse, broadcast live from London’s West End to cinemas.
Since its first performance at the National Theatre in 2007, War Horse has become an international smash hit, capturing the imagination of four million people around the world.
Based on Michael Morpurgo’s novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France. Filled with stirring music and songs, this powerfully moving and imaginative drama is a show of phenomenal inventiveness. At its heart are astonishing life-size puppets by South Africa’s Handspring Puppet Company, who bring breathing, galloping, charging horses to thrilling life on stage.
Jonas Kaufmann stars in the title role of Massenet’s sublime adaptation of Goethe’s revolutionary and tragic romance, opposite Sophie Koch as Charlotte. The new production is directed and designed by Richard Eyre and Rob Howell, the same team that created the Met’s recent hit staging of Carmen. Rising young maestro Alain Altinoglu conducts.
Encore: Sun. April 13 at 1:00 p.m.
WONDER WOMEN! The Untold Story of American Superheroines traces the fascinating legacy of comic book character Wonder Woman to illustrate how popular representations of powerful women often reflect broader cultural anxieties about gender roles. There will be a Q & A with the filmmaker Kristy Guevara-Flanagan following the screening.
President Obama’s Inaugural Poet, Richard Blanco was made in Cuba, assembled in Spain, and imported to the United States—meaning his mother, 7 months pregnant, and the rest of the family arrived as exiles from Cuba to Madrid where he was born. Only 45 days later, the family emigrated once more and settled in Miami. His acclaimed first book of poetry, City of a Hundred Fires, explores the yearnings and negotiation of cultural identity as a Cuban- American, and received the Agnes Starrett Poetry Prize. His second book, Directions to The Beach of the Dead, won the Beyond Margins Award from the PEN American Center for its continued exploration of the universal themes of cultural identity and homecoming.
Featuring the work of Monmouth University graduating seniors who will receive their degrees in Fine Art.
The Sounds of Asbury Park and other Shore points are celebrated when a pair of musically minded Jersey Joes — Joe D’Urso and Joe Rapolla — bring their nationally regarded Songwriters by the Sea series of intimate, relaxed and inspired round-robins to the Pollak Theatre stage. Artists to perform include Marshall Crenshaw, David Johansen, Allison Moorer and Monmouth University students Natalie Zeller, Bryan Haring and Erin Holmes.
Borodin’s defining Russian epic, famous for its Polovtsian Dances, comes to the Met for the first time in nearly 100 years. Dmitri Tcherniakov’s new production is a brilliant psychological journey through the mind of its conflicted hero, with the founding of the Russian nation as the backdrop.
Last day to withdraw from semester-long classes and receive a “W” on transcript
The films that become the centerpiece of the Black Maria Film and Video Festival honor the vision of Thomas Edison, New Jersey inventor and creator of the motion picture. It was his New Jersey studio, the world’s first, which he called the “black maria” (pronounced “mariah”) after which the festival is named. The cutting edge, cross-genre work that makes up the festival’s touring program, has been traveling across the country every year for decades.
Black Maria focuses on diverse short films – narrative, experimental, animation, and documentary – including those which address issues and struggles within contemporary society such as the environment, public health, race and class, family, sustainability, and much more. These exceptional works ranging from comedy to drama to the exploration of pure form in film and video are not sidebars to feature length films, they are the heart and soul of the festival. The program is free and all are welcome. Works which will be screened are unrated; some of the content is sophisticated and might not be suited to younger audiences.
Known worldwide for transcending the limits of tradition, the New York City-based string quartet ETHEL, comprised of Ralph Farris (viola), Dorothy Lawson (cello), Kip Jones (violin) and Tema Watstein (violin), has for the past decade and a half actively, aggressively, joyfully, adapted their epic skill-set to the presentation of rainbow-colored music of every style and description. Guitarist Kaki King, recognized as one of “The New Guitar Gods” by Rolling Stone has, likewise, won an enthusiastic international following as her gutsy, honest, and astonishingly beautiful works seem to defy gravity. Brought together, these celebrated sound worlds intermingle and swarm to create a glorious and inspired collaboration.
Puccini’s moving story of young love is the most performed opera in Met history—and with good reason. Anita Hartig stars as the frail Mimì in Franco Zeffirelli’s classic production, with Vittorio Grigolo as her passionate lover, Rodolfo.
Encore: Sun. May 4 at 1:00 p.m.
