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Young Marx

Pollak Theatre

Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors.
1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy.
Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.

$23

CSNsongs – Celebrating the music of Crosby, Stills, Nash & Young

Pollak Theatre

Returning to Monmouth by popular renowned for an encore engagement, CSNsongs is an ensemble of accomplished musicians who pay homage to the folk/rock legends that revolutionized music in the 1960’s and 70’s. Crosby, Stills, Nash & Young’s compositions are perfectly and respectfully reproduced as they were originally written and recorded. Relive these historical musical moments with CSN Songs impeccable recreations of Suite Judy Blue Eyes, Ohio, Love the One Your With, Just a Song Before I Go, Southern Man and many other CSN&Y treasures.

$25; $30; $40 (Gold Circle)

Guerrilla Girls On Tour presents If You Can Stand the Heat: A History of Women and Food

Pollak Theatre

This new comedy is an energetic romp through humorous historical moments in the lives and works of world renowned master chef Julia Child, acclaimed food writer M.F.K. Fisher, and the grand dame of southern cooking Edna Lewis, with a focus on issues surrounding women and food such as body image, eating disorders, and global hunger. The result is a hilarious, flour-dusted, stage conversation meant to dissolve fears of food and encourage freedom of the fork.

$10 (general public); FREE to all students with ID

TUESDAY NIGHT RECORD CLUB: Prince, Purple Rain

Lauren K. Woods Theatre

It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights in Woods Theatre to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss… there will be special guest moderators and panelists at each event! This discussion will feature Prince Purple Rain.

L.A. Theatre Work’s The Mountaintop

Pollak Theatre

On the evening of April 4, 1968, Martin Luther King Jr. was assassinated outside room 306 of The Lorraine Motel in Memphis. What happened inside room 306 the night before the killing is a mystery. In her internationally acclaimed play, The Mountaintop, playwright Katori Hall fantasizes what may have transpired in the overnight hours between the legendary civil rights leader and a seemingly inconsequential hotel maid.

$35; $45

L’Elisir d’Amore

Pollak Theatre

Donizetti’s comic gem L’Elisir d’Amore, staged by Bartlett Sher and conducted by Domingo Hindoyan, stars Pretty Yende as the spirited Adina, with Matthew Polenzani as Nemorino, the simple peasant who falls in love with her. Davide Luciano makes his Met debut as the role of Adina’s arrogant fiancé, Belcore and Ildebrando D’Arcangelo sings the role of the magic potion-peddling Doctor Dulcamara. Domingo Hindoyan makes his company debut conducting.

$23

The Lady of the Camellias

Pollak Theatre

At a theatre performance of ‘Manon Lescaut’, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…

Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.

$23

Wailin’ Jennys

Pollak Theatre

The Wailin’ Jennys are Nicky Mehta, Ruth Moody and Heather Masse – three distinct voices that together
make an achingly perfect vocal sound. Starting as a happy accident of solo singer/songwriters getting
together for a one-time-only performance at a tiny guitar shop in Winnipeg, Manitoba, The Wailin’
Jennys have grown over the years into one of today’s most beloved international folk acts.

$39; $49; $60 (Gold Circle)

Tosca (Encore)

Pollak Theatre

Sir David McVicar’s ravishing new production offers a splendid backdrop for two extraordinary sopranos sharing the title role of the jealous prima donna: Sonya Yoncheva (pictured above) and Anna Netrebko. Vittorio Grigolo and Marcelo Álvarez alternate in the role of Tosca’s revolutionary artist lover Cavaradossi, with Željko Lučić and Michael Volle as the depraved police chief Scarpia. Emmanuel Villaume and Bertrand de Billy share conducting duties.

$23

FILM SCREENING & FACULTY LED DISCUSSION: REBIRTH OF A NATION BY PAUL D. MILLER AKA DJ SPOOKY

The Great Hall Auditorium

To create his film Rebirth of a Nation, Paul D. Miller aka DJ Spooky, remixed D.W. Griffith’s 1915 epic film The Birth of a Nation. His re-telling
of this overtly racist story depicted in the Reconstruction-era United
States hurtles Griffith’s images into the 21st century. The original film
was based on a novel and theater play by Thomas Dixon entitled The Clansman. By applying DJ technique to cinema, Miller’s new film parallels, deconstructs and remixes the original. He likes to think of it as “film as found object” in the same sense that artists such as Marcel Duchamp, Jeff Koons, Andy Warhol and David Hammons, among many others, have fostered creative investigations into the idea of found objects, cinema and “appropriation art.”