Guest Speaker on Digital Forensics; Co-sponsored by Dept. of Computer Science & Software Engineering (CSSE) and the New Jersey Coast Section of IEEE
Tickets on sale July 8 at 10 AM. Colin Hay is familiar to millions as the frontman, songwriter, and vocalist of pop sensation Men at Work (Down Under, Overkill, Who Can it Be Now?). Hay is justifiably proud of his place in pop history, but since moving to Los Angeles in 1989, he’s made 11 critically-acclaimed solo albums, including the highly successful Man at Work, and has recently announced the release of his new album Next Year People. Next Year People is the work of an artist who is a true master of his craft. Over the past 15 years Hay has reinvented himself as a solo artist, regularly selling out theaters and listening rooms across the US and around the world and introducing himself to a new generation of fans in the process. The frequent use of Hay’s music in TV and film—including hit shows such as Scrubs, Army Wives and Modern Family and on soundtracks to the films Garden State and Words and Pictures—has proven the timeless appeal of his songs.
Gregory Nava’s “El Norte” (1983) (R) Mayan Indian peasants escaping labor and a murderous Guatemalan government head to America in hopes for something better.
The world of contemporary visual art is often intimidating, challenging, and seemingly
unapproachable. To help break those perceptions and barriers, New Jersey Museum of
Contemporary Art will present “Art Conversations,” a series of three scholar-led panel talks that
will provide context and insight into what defines contemporary art, its transformational trends,
and its relevance and impact on society. The highly credentialed and charismatic United Nations
journalist Alexandra King will moderate conversations with art critics, collectors, curators,
technology producers, and artists.
This panel will focus on Insights into the nuances and impact of contemporary visual art on society and will feature STEPHEN WESTFALL, artist and critic who is a contributing editor to Art in America; ISAAC LYLES owner of the Lyles King Gallery in NYC; and art collector STEVE SHANE.
“The only thing that matters is the song,” says singer-songwriter Madeleine Peyroux. That conviction along with a ‘one of a kind’ voice, has carried the Jazz artist from busking on the streets of Paris, all the way to mainstream recognition. Through intensely distinctive renditions of old classics and modern tunes by the likes of Leonard Cohen and The Beatles, Peyroux has proved to be an uncannily insightful ‘interpreter’ with her consistently impeccable choice of material. Peyroux’s new album, The Blue Room, sees the genre-blending singer reworking some landmark musical gems, in a repeat collaboration with longtime Peyroux producer Larry Klein (Joni Mitchell, Walter Becker, Tracy Chapman, Herbie Hancock) The result is a sophisticated album that rather than just ‘crossing over’, seamlessly fuses musical styles together to create an entirely new sound. Peyroux has come a long way from the streets of Paris to the word’s grandest concert halls and collaborating with the some of the world’s finest musicians. Still, where other artists might rest on their laurels and bask in the glory of countless gushing reviews, Peyroux continues to fearlessly explore new territories.
Hugh Masekela, a world-renowned flugelhornist, trumpeter, bandleader, composer, singer, and defiant political voice, combines his talents with powerhouse pianist Larry Willis for a show of epic proportions. These two giants of the jazz world put on a one-of-a-kind show together, after decades of cultivating careers apart. Willis and Masekela met while they were both students at the Manhattan School of Music some 50 years ago. After coming under the tutelage of Dizzy Gillespie and Louis Armstrong, Masekela went on to carve out a five-decade-long (and counting) career, releasing over 40 solo albums. His 1986 anti-apartheid anthem “Bring Him Back Home (Nelson Mandela)” became a rallying call around the world for Mandela’s release from prison. At the same time, Willis has performed or recorded with almost every great jazz musician of the modern era, including Dizzy Gillespie, Lee Morgan, Woody Shaw, Cannonball and Nat Adderley, and Stan Getz. Don’t miss this rare chance to watch these two jazz legends (and dear friends) perform together.
James Levine conducts Wagner’s early masterpiece in its first return to the Met stage in more than a decade. Today’s leading Wagnerian tenor Johan Botha takes on the daunting title role, opposite soprano Eva-Maria Westbroek as Elisabeth, adding another Wagner heroine to her Met repertoire after her acclaimed Sieglinde in the Ring a few seasons ago. On the heels of his recent triumph in Parsifal, baritone Peter Mattei sings Wolfram, and mezzo-soprano Michelle DeYoung is the love goddess, Venus.
Tickets on sale Friday, July 24
Edward Hirsch, a MacArthur Fellow, has published nine books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work, and Gabriel: A Poem (2014), a book-length elegy that The New Yorker called “a masterpiece of sorrow.” He has also written five prose books, among them A Poet’s Glossary (2014), a complete compendium of poetic terms, and How to Read a Poem and Fall in Love with Poetry (1999), a national bestseller. He has received numerous awards and fellowships, including the National Book Critics Circle Award, a National Endowment for the Arts Fellowship, and the American Academy of Arts and Letters Award for Literature. He taught in the Creative Writing Program at the University of Houston for seventeen years. He now serves as president of the John Simon Guggenheim Memorial Foundation.
Please note this event is SOLD OUT! The Friends of the Bruce Springsteen Special Collection, along with Monmouth University and Backstreets.com announce a special event to celebrate the 35th anniversary of the release of The River and the forthcoming release of The Ties That Bind: The River Collection box set.
The Festival of World Languages and Cultures showcases the talents of students and faculty from the Department of World Languages and Cultures. Performances include poetry readings, singing, dancing, instrumental and acting productions all in the target language the students are studying. In addition, students create posters and cook authentic dishes from the target language country […]
