With backgrounds in journalism and fine art, Sheryl Oring began her ongoing project I Wish to Say in 2004 from a concern that many people’s voices were not being heard. She started to take dictation from the public about what they wanted to say to the (next) President. Dressed as a 1960s secretary with a […]
Presented by Professor Librarian George Germek
With backgrounds in journalism and fine art, Sheryl Oring began her ongoing project I Wish to Say in 2004 from a concern that many people’s voices were not being heard. She started to take dictation from the public about what they wanted to say to the (next) President. Dressed as a 1960s secretary with a typewriter, she records whatever participants say onto a postcard, making copies with carbon paper. During larger events, a secretarial bank takes dictation. Oring mails the postcards to the White House and exhibits copies. To date she has mailed over 4100 postcards. In this artist talk, Oring will discuss I Wish to Say, now in its 20th year, alongside her other socially practice art projects.
Writing nonpartisan postcards to potential voters in Arizona for the presidential election.
Monmouth University Women’s Club Volleyball Team Open Gym – open to all girls!
“On the one”—James Brown often defined funk as a groove, emphasizing the first beat, using the ‘one-two-three-four’ downbeat. However, as the Godfather of Soul would agree, funk encompasses more than just a rhythm: it’s about freedom, expression, and dance. If not for funk, disco would have never been born. How did the genre develop, and who were the central figures in the history of funk? This two-session virtual course taught by Kit O’Toole will trace funk through its blues, jazz, soul, New Orleans, and R&B roots. The class will culminate in discussing, among other funk pioneers, three of the music’s most important figures: Brown, Sly and the Family Stone, and George Clinton. The course includes multimedia presentations and class discussions.
Jodie Comer’s (Killing Eve) Olivier and Tony Award-winning performance in Suzie Miller’s gripping one-woman play returns to cinemas. Tessa is a young, brilliant barrister. She has worked her way up from working class origins to be at the top of her game; defending; cross examining and winning. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge. Prima Facie takes us to the heart of where emotion and experience collide with the rules of the game. Justin Martin directs this solo tour de force, captured live in 2022 during a sold out run at the Harold Pinter Theatre in London’s West End.
Monmouth University Men’s Golf vs Ryan T. Lee Memorial Collegiate
