David McVicar’s stirring production of Verdi’s intense drama premiered at the Met in the 2008–09 season. This revival stars four extraordinary singers—Sondra Radvanovsky, Dolora Zajick, Marcelo Álvarez, and Dmitri Hvorostovsky—in what might be the composer’s most melodically rich score.
Master of Arts in Teaching (MAT) Program Only
Set in Long Beach Island, New Jersey and the Outer Banks of North Carolina, Shored Up explores the political conflicts and personal stakes of seaside communities, culminating with the impact of Hurricane Sandy. There will be a Q & A with the filmmaker Ben Kalina following the screening.
Katie Ford is the author of Deposition, Colosseum, and the forthcoming Blood Lyrics (Graywolf Press, 2014). Ford is the recipient of a Lannan Literary Fellowship and the Larry Levis Prize. Colosseum was named among the “Best Books of 2008” by Publishers Weekly and the Virginia Quarterly Review. Her poems have appeared in The New Yorker, Poetry, The Paris Review, The American Poetry Review, Ploughshares, and many other journals. She teaches at Franklin & Marshall College and lives in Philadelphia with her husband, the novelist Josh Emmons, and their young daughter.
Tickets on sale 9/16. Forty years ago, Bruce Springsteen burst onto the rock scene and changed it forever. His music defines a generation, but behind the songs were remarkable stories about the fans who lived them. Come celebrate Bruce’s birthday with this documentary-biographical film directed by Baillie Walsh documenting his life and career through the eyes and insights of his fans throughout the world.
The California-based roots rock band consisting of brothers Taylor Goldsmith and Griffin Goldsmith (lead vocals/guitar and drums, respectively), Wylie Weber (bass), and Alex Casnoff (guitar) was heavily influenced by the gentle, acoustic-based musical trappings and rich vocal harmony of the Laurel Canyon sound (Crosby, Stills & Nash, Neil Young, Joni Mitchell), as well as by the shambling, romanticized Americana of The Band.
In this work in progress, solo performer Elizabeth Whitney explores the career of Anna Elizabeth Dickinson–a provocative abolitionist and suffragist who enjoyed national fame on the lyceum circuit, was shunned by critics as a playwright and actor in late 1800s New York City, and eventually institutionalized. This new project uses Dickinson’s championed form of the lecture as performance to look at themes of madness, failure, and obscurity in the life of a queer artist.
