Selections from the Monmouth University permanent collection featuring works by various artists, including: by Eduardo Arranz-Bravo, Hannah Barrett, Salvador Dali, Bruce Dorfman, Peter Milton, Joan Miro, and Russell Tyler, and more.
As told in their own voices through art and film this juried exhibit seeks to share some of the diverse lived experiences of transgender and gender non-conforming older adults (T/GNC). This exhibit centers T/GNC individuals’ unique narratives and make their lives visible. The artwork chosen celebrates the strength and resiliency of these individuals while also sharing the painful challenges encountered. The process of living authentically may instill hope and bring joy, but often this process involves losses and pain as well. The purpose is to increase understanding and knowledge of the lives of T/GNC older adults while supporting Monmouth University’s commitment to create an inclusive, affirming, and equitable campus community.
The Elephant in the Room calls attention to threatened and endangered animals, encapsulating their expressive nature through emotional representation. By addressing the “elephant in the room” these wood fired portrait-esque pieces bring awareness to species that have been brought to the brink of extinction due to human interference and have been forever impacted by these interactions.
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Join us for a World Cinema Series film screening/discussion illuminating the theme “Wartime Lives: Enduring and Transcending Violence and Occupation” by analyzing the message and impact of the film As We Forgive (2009). Directed by Laura Waters Hinson and narrated by Mia Farrow comes the award-winning documentary of two Rwandan women who struggle with the face-to-face encounter with the men who slaughtered their families during the 1994 genocide. These women and men speak for a nation still wracked by the grief of a genocide that killed one in eight Rwandans. Overwhelmed by an enormous backlog of court cases, the government released 50,000 perpetrators back to the very communities they helped to destroy. Without the hope of full justice, Rwanda has turned to a new solution of reconciliation. Come experience through their eyes the journey from death to life through forgiveness.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
A witch hunt is beginning in Arthur Miller’s captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma). Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta and accusation spreads through the community, no one is safe from trial. Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy). Captured live from the Olivier stage at the National Theatre.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
Monmouth University brings Henrik Ibsen’s scandalous 19th century masterpiece into the modern era. A Doll’s House follows a vibrant but sheltered housewife as she navigates a world in which women have no autonomy. As events spiral beyond her control, Nora’s journey of self awareness builds toward one of the most controversial endings in theatrical history. Directed by Sheri Anderson.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
