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Aaron Wexler

Rotary Ice House Gallery

Aaron Wexler’s work investigates shapes in nature as they relate to abstraction in painting. He collects distinctly different representations of abstraction of nature and architectural networks and utilizing prints, books, photographs and hand painted paper, makes drawings and collages from these source materials. Wexler received his M.F.A from the School of The Art Institute of Chicago in 1999. His work has been included in various solo and group shows in New York and London including the Morgan Lehman Gallery, Josee Bienvenu Gallery, The National Academy Museum, and Katonah Museum of Art, among others.

Selections from the Monmouth University Collection

Joan and Robert Rechnitz Hall

Featuring selections from Monmouth University’s permanent collection including works by Adam Wurtz, Salvadore Dali, Jacob Landau, and Robert Mueller among others.

Bruce Springsteen: A Photographic Journey

Joan and Robert Rechnitz Hall

Bruce Springsteen: A Photographic Journey, a traveling photography exhibition curated by the GRAMMY Museum Los Angeles, features 45 iconic images. The opening reception on September 27 from 1-4 PM will include a Q&A with the photographers moderated by Grammy Museum Executive Director Bob Santelli at 2:30 PM.

Sylvia’s Children

Pollak Gallery

Experience the village of Mbiriizi in Uganda, Africa. This exhibit tracks the progress of the Mbiriizi Advanced Primary School and its children over the last 12 years. It celebrates their lives through pictures, stories, crafts, batiks and artifacts. See the growth made possible through one woman’s determination to make a difference. The richness and beauty of the culture (as well as its poverty) is shared through audio clips from travelers who have visited and experienced the school. It is an exhibit of joy, of determination, of success, of life.

Anything Goes

Lauren K. Woods Theatre

The classic American musical by Cole Porter is the first musical presented this fall at historic Woods Theatre by Monmouth University’s Department of Music and Theatre Arts.

$25$20$10Free

NJ MoCA Art Conversations: Secrets of the Contemporary Art World

The Great Hall Auditorium

The world of contemporary visual art is often intimidating, challenging, and seemingly
unapproachable. To help break those perceptions and barriers, New Jersey Museum of
Contemporary Art will present “Art Conversations,” a series of three scholar-led panel talks that
will provide context and insight into what defines contemporary art, its transformational trends,
and its relevance and impact on society. The highly credentialed and charismatic United Nations
journalist Alexandra King will moderate conversations with art critics, collectors, curators,
technology producers, and artists.
This panel will focus on Insights into the nuances and impact of contemporary visual art on society and will feature STEPHEN WESTFALL, artist and critic who is a contributing editor to Art in America; ISAAC LYLES owner of the Lyles King Gallery in NYC; and art collector STEVE SHANE.

Madeleine Peyroux

Pollak Theatre

“The only thing that matters is the song,” says singer-songwriter Madeleine Peyroux. That conviction along with a ‘one of a kind’ voice, has carried the Jazz artist from busking on the streets of Paris, all the way to mainstream recognition. Through intensely distinctive renditions of old classics and modern tunes by the likes of Leonard Cohen and The Beatles, Peyroux has proved to be an uncannily insightful ‘interpreter’ with her consistently impeccable choice of material. Peyroux’s new album, The Blue Room, sees the genre-blending singer reworking some landmark musical gems, in a repeat collaboration with longtime Peyroux producer Larry Klein (Joni Mitchell, Walter Becker, Tracy Chapman, Herbie Hancock) The result is a sophisticated album that rather than just ‘crossing over’, seamlessly fuses musical styles together to create an entirely new sound. Peyroux has come a long way from the streets of Paris to the word’s grandest concert halls and collaborating with the some of the world’s finest musicians. Still, where other artists might rest on their laurels and bask in the glory of countless gushing reviews, Peyroux continues to fearlessly explore new territories.

$39; $49; $60 (Gold Circle)

HUGH MASEKELA & LARRY WILLIS

Pollak Theatre

Hugh Masekela, a world-renowned flugelhornist, trumpeter, bandleader, composer, singer, and defiant political voice, combines his talents with powerhouse pianist Larry Willis for a show of epic proportions. These two giants of the jazz world put on a one-of-a-kind show together, after decades of cultivating careers apart. Willis and Masekela met while they were both students at the Manhattan School of Music some 50 years ago. After coming under the tutelage of Dizzy Gillespie and Louis Armstrong, Masekela went on to carve out a five-decade-long (and counting) career, releasing over 40 solo albums. His 1986 anti-apartheid anthem “Bring Him Back Home (Nelson Mandela)” became a rallying call around the world for Mandela’s release from prison. At the same time, Willis has performed or recorded with almost every great jazz musician of the modern era, including Dizzy Gillespie, Lee Morgan, Woody Shaw, Cannonball and Nat Adderley, and Stan Getz. Don’t miss this rare chance to watch these two jazz legends (and dear friends) perform together.

$35; $45; $60 (Gold circle)

MET OPERA: Tannhäuser (Encore)

Pollak Theatre

James Levine conducts Wagner’s early masterpiece in its first return to the Met stage in more than a decade. Today’s leading Wagnerian tenor Johan Botha takes on the daunting title role, opposite soprano Eva-Maria Westbroek as Elisabeth, adding another Wagner heroine to her Met repertoire after her acclaimed Sieglinde in the Ring a few seasons ago. On the heels of his recent triumph in Parsifal, baritone Peter Mattei sings Wolfram, and mezzo-soprano Michelle DeYoung is the love goddess, Venus.

Tickets on sale Friday, July 24

$23

Visiting Writer: Ed Hirsch

The Great Hall Auditorium

Edward Hirsch, a MacArthur Fellow, has published nine books of poems, including The Living Fire: New and Selected Poems (2010), which brings together thirty-five years of work, and Gabriel: A Poem (2014), a book-length elegy that The New Yorker called “a masterpiece of sorrow.” He has also written five prose books, among them A Poet’s Glossary (2014), a complete compendium of poetic terms, and How to Read a Poem and Fall in Love with Poetry (1999), a national bestseller. He has received numerous awards and fellowships, including the National Book Critics Circle Award, a National Endowment for the Arts Fellowship, and the American Academy of Arts and Letters Award for Literature. He taught in the Creative Writing Program at the University of Houston for seventeen years. He now serves as president of the John Simon Guggenheim Memorial Foundation.