Designer Steven Brower explores his origins and how he filters early and later influences through his own personal sensibility. Not limited to visual art, graphic design or illustrations those influences include Groucho Marx, Woody Guthrie, Louis Armstrong, right along side PushPin Studios, Mad Magazine, and Jack Kirby.
Join us for a series of Tango classes with Lee Sager of Tango Pantera. Everyone is welcome. No partner or experience needed.
Their backstory has been called “the most compelling of any band” — a stranger than fiction saga involving a guitar made from a tin can and stick a wood
DUE TO WEATHER, GREAT HALL MILONGA IS CANCELLED FOR SUN. OCT. 28
All tango lovers (beginners through experienced) and even those who are just thinking about learning to tango are invited to join us for a sensational afternoon of dancing amongst the beautiful background of Wilson Hall. There will be an intro to Tango lesson for all beginners an hour before the Milonga given by Lee Sager and Silvana Brizuela of Tango Pantera.
The splendor of the golden age of American palaces will be featured in an exhibit of photographs depicting Shadow lawn estate as it appeared from 1903 through 1937.
Composer Thomas Adès conducts the Metropolitan Opera premiere of his 2004 work, which has been widely praised as a modern masterpiece.
Fifty years after the release of the first album by Peter, Paul & Mary, the man who helped to reinforce folk music’s
Join us for a series of both advanced and beginner Tango classes with Lee Sager of Tango Pantera. No partner needed.
Provost Film Series: Camp de Thiaroye
Event: Provost Film Series: Camp de Thiaroye
Date: 11/12/2012
Location: Pollak Theatre
In this semi-autobiographical film by Ousmane Sembene, black soldiers help to defend France in the Algerian War, but are detained in prison camp before being repatriated home.
Winner of 2 Obie (Off-Broadway) awards and two Outer Critics Circle awards as Best New American Play and Best Off-Broadway production, The Foreigner is an inspired comic romp. Set in rural Georgia, this comedy investigates what can happen when a group of people encounter a stranger who (they think) neither speaks nor reads English. That he does fuels the nonstop hilarity of the play and sets up the wildly funny climax in which things go uproariously awry for the “bad guys” and the “good guys” emerge triumphant.
