Brianna is back… Spring bursts to life through the adventures she shares with a fresh cast of amusing woodland creatures. Families are sure to enjoy amazing things at Spring-a-Ding-DING!
In this concert showcasing the very best of piano music, a cast of young all-star piano prodigies including: TAKSH GUPTA, ELIZABETH WILLIAMS and ANDY MILSTEN will showcase their incredible talent. Their collective credits include winning Steinway competitions and Golden Key Awards, appearing at the Merkin Concert Hall, Carnegie Hall, and at the Musikverein with renowned pianist Lang Lang. The show will also feature STORMIN’ NORMAN SELDIN. In his nearly 50 year music career, singer/songwriter keyboardist Seldin has performed at almost every live performance venue out there and is also credited as one of the originators of the Sound of Asbury Park. He will perform solo & with VANCE VILLASTRIGO on DUELING PIANOS. SPECIAL GUEST Tim McLoone will be joining them on stage! Finally, see the amazing Steinway & Sons “Spirio” Grand Piano on stage! The Steinway & Sons Spirio is the world’s finest high resolution player piano. A masterpiece of artistry and engineering Spirio will play pieces from Vladimir Horowitz, Lang Lang, and George Gershwin live to the audience!
Plácido Domingo adds yet another role to his legendary Met career in this rarely performed Verdi gem, a heart-wrenching tragedy of fatherly love. Sonya Yoncheva sings the title role opposite Piotr Beczała in the first Met performances of the opera in more than ten years. Bertrand de Billy conducts.
Maestro de Billy made his Met debut in 1998. He is principal guest conductor of the Dresdner Philharmonie and was formerly Music Director at the Gran Teatre del Liceu in Barcelona and the Radio Symphony Orchestra in Vienna, as well as principal guest conductor of the Orchestre de Chambre de Lausanne. He regularly conducts for such companies as the Vienna State Opera, Berlin State Opera, Hamburg State Opera, Bavarian State Opera, Paris Opéra, the Salzburg Festival, and Royal Opera House, Covent Garden. In 2018 he will also conduct performances of Tosca and Cendrillon at the Met.
Elijah Moshinsky’s production of Luisa Miller features Sonya Yoncheva in the title role, with Plácido Domingo as her father. Piotr Beczała sings Rodolfo, with Olesya Petrova as Federica, Alexander Vinogradov as Count Walter, and Dmitry Belosselskiy as Wurm.
Performances of Luisa Miller are on March 29, Apr 2, 6, 9, 14 (matinee), 18 and 21 (matinee), 2018. The April 14 matinee will be transmitted live as part of the Met’s Live in HD series, which reaches more than 2,000 movie theaters in 73 countries around the world.
For further information, including casting by date, please visit www.metopera.org.
Massenet’s enchanting opera Cendrillon, based on Cinderella, premieres at the Met conducted by Bertrand de Billy and directed by Laurent Pelly, whose Met credits include staging Donizetti’s La Fille du Régiment and Massenet’s Manon. Joyce DiDonato adds another role to her Met repertory as the title character, a role she has sung to acclaim at the Grand Teatre del Liceu, Santa Fe Opera, and Royal Opera, Covent Garden. The cast also stars Alice Coote as Prince Charmant, Stephanie Blythe as the evil stepmother Madame de la Haltière, Kathleen Kim as the Fée, and Laurent Naouri as Pandolfe. Cendrillon is produced in association with the Royal Opera House, Covent Garden, London; Gran Teatre del Liceu, Barcelona; Théâtre Royal de La Monnaie, Brussels; and Opéra de Lille. This production was first performed at The Santa Fe Opera.
Two-time Rock and Roll Hall of Famer and co-founder of the Byrds and Crosby, Stills & Nash, David Crosby is heading out on tour! Joining him will be five musical friends, James Raymond on keys, Mai Agan on bass, Steve DiStanislao on drums, Jeff Pevar on guitar and Michelle Willis on keys and vocals. Crosby is in the midst of an incredibly creative and powerful period, showcasing his skills as the brilliant songwriter that he is and on this tour, he will be performing music from his new album Sky Trails alongside some of his best loved songs and greatest hits.
Laughing With Me! is a program designed specifically for those with Autism Spectrum Disorder that is filled with fast-paced, interactive fun!! Students think of communication issues like a game!! They will become flexible within these experiences. The outcome being that now they won’t break, but simply bend.
They also learn that it’s OK to fail. It’s simply a part of life that’s ultimately not a big deal. Also, a common occurrence of the program is an understanding of a special kind of laughter that gives a boost to self-confidence and creates a feeling of camaraderie. This is called “earned laughter”, because the students realize that they have done something funny on purpose, in a setting that promotes and encourages that behavior.
Laughing With Me! is a program designed specifically for those with Autism Spectrum Disorder that is filled with fast-paced, interactive fun!! Students think of communication issues like a game!! They will become flexible within these experiences. The outcome being that now they won’t break, but simply bend.
They also learn that it’s OK to fail. It’s simply a part of life that’s ultimately not a big deal. Also, a common occurrence of the program is an understanding of a special kind of laughter that gives a boost to self-confidence and creates a feeling of camaraderie. This is called “earned laughter”, because the students realize that they have done something funny on purpose, in a setting that promotes and encourages that behavior.
Delve into the ASD workshop where we look at how we handle what comes our way – expected or not! Add in the great fun and team spirit built into our games. We’ll be playing with both our strengths and our quirks. Your child is set for laughter and learning!
Swanhilda notices her fiancé Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppélia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancé with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
