An undisputed master of Falstaff, Music Director James Levine conducts Verdi’s opera for the first time at the Met since 2005. Robert Carsen’s production—the first new Met Falstaff since 1964—is set in the English countryside in the mid-20th century.
Encore: Sunday, January 26 at 1:00 p.m.
Ross Bernstein, Music Education major will be performing his Senior Recital at the Woods Theatre on Sunday, December 15, 2013 at 3:00 p.m. He will be featured on voice. Admission is free; light refreshments will be served.
The Office of Undergraduate Admission will be hosting Instant Decision Tuesdays at Monmouth for incoming Spring 2014 transfer students.
This Information Session will cover only the Master of Social Work (MSW) program.
Monmouth University will hold Winter Commencement on Friday, January 17, 2014, at 1:30 p.m. on campus in the Multipurpose Activity Center. Live video online will be available starting at 1:15 p.m.
Puccini’s timeless verismo score is well served by an exceptional cast, led by Patricia Racette in the title role of the jealous diva, opposite Roberto Alagna as her lover, Cavaradossi. George Gagnidze is the villainous Scarpia.
An undisputed master of Falstaff, Music Director James Levine conducts Verdi’s opera for the first time at the Met since 2005. Robert Carsen’s production—the first new Met Falstaff since 1964—is set in the English countryside in the mid-20th century.
Following the suicide of his wife, an Israeli intelligence agent is assigned to befriend the grandchildren of a Nazi war criminal.
National Theatre Live will broadcast the Donmar Warehouse’s production of Coriolanus, Shakespeare’s searing tragedy of political manipulation and revenge, with Tom Hiddleston (The Avengers, War Horse (film), BBC’s The Hollow Crown) in the title role and Mark Gatiss (Season’s Greetings at the National Theatre, BBC’s Sherlock) as Menenius, directed by the Donmar’s Artistic Director Josie Rourke.
REAL BOY is the coming-of-age story of Bennett Wallace, a transgender teenager on a journey to find his voice as a musician, a friend, a son, and a man. Navigating the ups and downs of young adulthood, he works to gain the support of his mother, who has deep misgivings about her child’s transition. As tension mounts at home, Bennett is taken in by his idol, Joe Stevens, the lead singer of the alt-Americana band, Coyote Grace. Exploring how our search for personal identity also involves those closest to us, REAL BOY is a nuanced look at the new American family and the people we turn to when our given families are unavailable.
