Jim Flanagan is seanchai, a true Irish storyteller, who has that lyrical way with words the Irish bring to the world. Join him and visit a Jersey City boyhood where street games, schools, nuns, priests, and politicians are the stuff of legends. He will take you on a journey from laughter to tears and back again with the magic of his words.
Award-winning filmmaker Susan Froemke takes you behind the scenes as one of the theater¹s finest stage directors teams up with one of the world¹s leading opera companies to tackle opera¹s most monumental challenge: the production of Wagner¹s epic Ring cycle.
Conceived by Wagner as a prologue to the Ring cycle, Das Rheingold sets forth the dramatic issues that play out in the three subsequent operas. Gold from the depths of the Rhine River is stolen by the dwarf Alberich, who uses it to forge a ring that will give him unlimited power. The theft sets in motion a course of events that will eventually alter the order of the universe. Bryn Terfel as Wotan, lord of the gods, heads the cast.
This extraordinarily powerful work of theater focuses on some of the Ring’s most interesting characters at decisive moments of their lives: Wotan, whose violation of his own laws has jeopardized the gods’ rule; his twin offspring, Siegmund and Sieglinde, who are meant to save the gods; and, above all, his heroic Valkyrie daughter Brünnhilde, who makes a fateful decision that shatters her world.
Part three of the Ring follows the journey of Siegfried, son of Siegmund and Sieglinde, from naive fearless boy to supreme hero. With the re-forged sword of his father, he conquers magical obstacles to reach his prize, Brünnhilde.
Hooray, hooray! TheatreworksUSA is making a brand-new musical (that is a play all jumbled together with singing and dancing, I believe). And what do you know! It’s all about me, Junie B. Jones! (The B stands for Beatrice, only I do not like Beatrice. I just like B and that’s all.)
The Ring cycle concludes with a cataclysmic climax of betrayal and loss as focus shifts from the realm of the gods to the power and ambition of human beings. It is left to Brünnhilde, in the legendary Immolation Scene that brings the cycle to a close, to restore balance to the world.
Natalie Dessay will put on the red dress in Willy Decker’s stunning production, in her first Violetta at the Met.
Anna Netrebko opened the Met’s 2011-12 season with her portrayal of the ill-fated queen driven insane by her unfaithful king, singing one of opera’s greatest mad scenes.
Bel canto sensation Juan Diego Flórez sings the title role of this vocally dazzling comedy, in Bartlett Sher’s Met production.
