Bus Stop by William Inge
Lauren K. Woods TheatreBus Stop is a romance drama written by one of the great, if underappreciated, playwrights of the 20th century: William Inge.
Bus Stop is a romance drama written by one of the great, if underappreciated, playwrights of the 20th century: William Inge.
Following a sell-out run at London’s Royal Court Theatre, Olivier and Academy Award® winner Martin McDonagh (The Pillowman, The Cripple of Inishmaan, In Bruges) returns to the West End with Matthew Dunster’s award-winning production of his deeply funny new play Hangmen, broadcast live to cinemas by National Theatre Live.
In his small pub in the northern English town of Oldham, Harry (David Morrissey – The Walking Dead, State of Play) is something of a local celebrity. But what’s the second-best hangman in England to do on the day they’ve abolished hanging?
Amongst the cub reporters and pub regulars dying to hear Harry’s reaction to the news, his old assistant Syd (Andy Nyman – Peaky Blinders, Death at a Funeral) and the peculiar Mooney (Johnny Flynn – Clouds of Sils Maria) lurk with very different motives for their visit.
Run time: 180 minutes
Content appropriate for 15 years old and up.
Imago Theatre, best known for FROGZ is proud to announce its latest family hit ZooZoo, a whimsical, terrifically silly family show that has delighted audiences nationwide with its giggle-inducing short vignettes performed without words to an original score—a perfect theatre experience for children. ZooZoo is a circus, a zoo, and a world all its own, where penguins play musical chairs, a cat becomes trapped in a giant paper bag, hippos have insomnia, and anteaters work as waiters—all resulting in a madcap revue of illusion, comedy, and fun. Imago’s shows have been described as Cirque Du Soleil-evoking acrobatics mixed with Mummenschanz-like mime, set in a unique, yet accessible, French-influenced, avant-garde playground. Recommended for ages 3 and older.
The Met stage ignites when soprano Kristine Opolais and tenor Roberto Alagna join forces in Puccini’s obsessive love story. Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Roberto Alagna is the dashing student who desperately woos her. Director Richard Eyre places the action in occupied France in a film noir setting. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. Met Principal Conductor Fabio Luisi leads the stirring score.
Tickets on sale Friday, July 24
SOLD OUT– New show added at 12:15 pm. Theatreworks’ production of Charlotte’s Web is based on E.B. White’s loving story of the friendship between a pig named Wilbur and a little gray spider named Charlotte. Wilbur has a problem: how to avoid winding up as pork chops! Charlotte, a fine writer and true friend, hits on a plan to fool Farmer Zuckerman — she will create a “miracle.” Spinning the words “Some Pig” in her web, Charlotte weaves a solution which not only makes Wilbur a prize pig, but ensures his place on the farm forever. This treasured tale, featuring mad-cap and endearing farm animals, explores bravery, selfless love, and the true meaning of friendship.
Anthony Minghella’s breathtaking production has thrilled audiences ever since its premiere in 2006. One of the world’s foremost Butterflys, soprano Kristine Opolais, takes on the title role, and Roberto Alagna sings Pinkerton, the naval officer who breaks Butterfly’s heart. Karel Mark Chichon conducts.
Tickets on sale Friday, July 24
Soprano Sondra Radvanovsky takes on the extraordinary challenge of singing all three of Donizetti’s Tudor queens in the course of a single season, a rare feat made famous by Beverly Sills—and not attempted on a New York stage since. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elīna Garanča and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, conducted by Donizetti specialist Maurizio Benini.
Tickets on sale Friday, July 24
The genius director Patrice Chéreau (From the House of the Dead) didn’t live to see his great Elektra production, previously presented in Aix and Milan, make it to the stage of the Met. But his overpowering vision lives on with soprano Nina Stemme—unmatched today in the heroic female roles of Strauss and Wagner—who portrays Elektra’s primal quest for vengeance. Legendary mezzo-soprano Waltraud Meier is chilling as Elektra’s fearsome mother, Klytämnestra. Soprano Adrianne Pieczonka and bass Eric Owens are Elektra’s troubled siblings. Chéreau’s musical collaborator, Esa-Pekka Salonen, conducts.
Tickets on sale Friday, July 24
Join the inquisitive, lovable little monkey Curious George, star of books, movies and the award winning PBS television show in this delightful new musical. All–You-Can-Eat Meatball Day came just once a year. George had been waiting all month for that day, a day almost bigger than his birthday! On Meatball Day, George helped his friend Chef Pisghetti cook some delicious meatballs, and serve them to the hungry crowd. But this year, the crowd had vanished! Something was keeping people away. Something pretty big. And that “something” was Phinneas T. Lightspeed and his speedy Meatballs O’Matic machine. In despair, Chef Pisghetti vows to cook no more. Determined to help his friend, George goes on a mission to enter the Chef’s meatballs in the world-famous Golden Meatball Contest…in Rome. With every swing and flip, George takes the audience through a fun-filled adventure in which he learns more about Rome…and meatballs…and the “secret ingredient” to cooking!
Shakespeare’s great comedy, Much Ado About Nothing, highlights Aquila Theatre’s 25th anniversary season. Spying, subterfuge, deception, false identities, slander, manipulation and love all take part in this wonderfully entertaining battle of the sexes. Much Ado About Nothing, thought to have been written in 1598, belongs to a group of Shakespeare’s more mature romantic comedies. It is an exuberant, philosophical, and festive play excelling in combative wit, melodrama, and potential tragedy. There will be a preshow talk at 6:00 PM with the cast the day of show.