Close Close

Events

MET OPERA: Manon Lescaut (Encore)

Pollak Theatre

The Met stage ignites when soprano Kristine Opolais and tenor Roberto Alagna join forces in Puccini’s obsessive love story. Opolais sings the title role of the country girl who transforms herself into a Parisian temptress, while Roberto Alagna is the dashing student who desperately woos her. Director Richard Eyre places the action in occupied France in a film noir setting. “Desperate passion” is the phrase Puccini himself used to describe the opera that confirmed his position as the preeminent Italian opera composer of his day. Met Principal Conductor Fabio Luisi leads the stirring score.

Tickets on sale Friday, July 24

$23

Charlotte’s Web SOLD OUT

Pollak Theatre

SOLD OUT– New show added at 12:15 pm. Theatreworks’ production of Charlotte’s Web is based on E.B. White’s loving story of the friendship between a pig named Wilbur and a little gray spider named Charlotte. Wilbur has a problem: how to avoid winding up as pork chops! Charlotte, a fine writer and true friend, hits on a plan to fool Farmer Zuckerman — she will create a “miracle.” Spinning the words “Some Pig” in her web, Charlotte weaves a solution which not only makes Wilbur a prize pig, but ensures his place on the farm forever. This treasured tale, featuring mad-cap and endearing farm animals, explores bravery, selfless love, and the true meaning of friendship.

$12; $15

MET OPERA: Madama Butterfly (Encore)

Pollak Theatre

Anthony Minghella’s breathtaking production has thrilled audiences ever since its premiere in 2006. One of the world’s foremost Butterflys, soprano Kristine Opolais, takes on the title role, and Roberto Alagna sings Pinkerton, the naval officer who breaks Butterfly’s heart. Karel Mark Chichon conducts.

Tickets on sale Friday, July 24

$23

MET OPERA: Roberto Devereux (Encore)

Pollak Theatre

Soprano Sondra Radvanovsky takes on the extraordinary challenge of singing all three of Donizetti’s Tudor queens in the course of a single season, a rare feat made famous by Beverly Sills—and not attempted on a New York stage since. In this climactic opera of the trilogy, directed by Sir David McVicar, she plays Queen Elizabeth I, forced to sign the death warrant of the nobleman she loves, Roberto Devereux. Tenor Matthew Polenzani is Devereux, and mezzo-soprano Elīna Garanča and baritone Mariusz Kwiecien complete the principal quartet in the bel canto masterpiece, conducted by Donizetti specialist Maurizio Benini.

Tickets on sale Friday, July 24

$23

MET OPERA: Elektra (Encore)

Pollak Theatre

The genius director Patrice Chéreau (From the House of the Dead) didn’t live to see his great Elektra production, previously presented in Aix and Milan, make it to the stage of the Met. But his overpowering vision lives on with soprano Nina Stemme—unmatched today in the heroic female roles of Strauss and Wagner—who portrays Elektra’s primal quest for vengeance. Legendary mezzo-soprano Waltraud Meier is chilling as Elektra’s fearsome mother, Klytämnestra. Soprano Adrianne Pieczonka and bass Eric Owens are Elektra’s troubled siblings. Chéreau’s musical collaborator, Esa-Pekka Salonen, conducts.

Tickets on sale Friday, July 24

$23

Curious George: The Golden Meatball

Pollak Theatre

Join the inquisitive, lovable little monkey Curious George, star of books, movies and the award winning PBS television show in this delightful new musical. All–You-Can-Eat Meatball Day came just once a year. George had been waiting all month for that day, a day almost bigger than his birthday! On Meatball Day, George helped his friend Chef Pisghetti cook some delicious meatballs, and serve them to the hungry crowd. But this year, the crowd had vanished! Something was keeping people away. Something pretty big. And that “something” was Phinneas T. Lightspeed and his speedy Meatballs O’Matic machine. In despair, Chef Pisghetti vows to cook no more. Determined to help his friend, George goes on a mission to enter the Chef’s meatballs in the world-famous Golden Meatball Contest…in Rome. With every swing and flip, George takes the audience through a fun-filled adventure in which he learns more about Rome…and meatballs…and the “secret ingredient” to cooking!

$12; $15

Aquila Theatre’s Much Ado About Nothing

Pollak Theatre

Shakespeare’s great comedy, Much Ado About Nothing, highlights Aquila Theatre’s 25th anniversary season. Spying, subterfuge, deception, false identities, slander, manipulation and love all take part in this wonderfully entertaining battle of the sexes. Much Ado About Nothing, thought to have been written in 1598, belongs to a group of Shakespeare’s more mature romantic comedies. It is an exuberant, philosophical, and festive play excelling in combative wit, melodrama, and potential tragedy. There will be a preshow talk at 6:00 PM with the cast the day of show.

$35;$50

CANCELLED: Jarrod Spector & Kelli Barrett This Is Dedicated: Music’s Greatest Marriages

Pollak Theatre

DUE TO SCHEDULING DIFFICULTIES THIS SHOW HAS BEEN CANCELLED. “Newly-married Broadway veterans Jarrod Spector and Kelli Barrett are often asked, “What’s it like to be married to a fellow artist?” Bringing to life the greatest songs birthed from the greatest marriages, the two attempt to answer the question. From Barry Mann & Cynthia Weil and Alan & Marilyn Bergman to Sonny & Cher to Beyonce & Jay-Z, the themes of love, heartbreak, triumph, and despair infuse not only these incredible songs but also the storied partnerships themselves. In an evening filled with humor, heart, and powerhouse vocals, Barrett & Spector celebrate marriage as the driving force behind this timeless music and tackle the difficult questions behind keeping it all together.”

$40; $50; $60 (Gold Circle)

Walnut Street Theatre’s Last of the Red Hot Lovers

Pollak Theatre

America in the 1960s, an era that encouraged LOVE, was populated by “Mad Men” and “Mod Women” trying to navigate the new normal. In this freshly conceived production of Neil Simon’s classic, Last of the Red Hot Lovers, true comedy ensues when a modern man in the hip sixties looks for something new and different, but ends up finding himself in the same situation, again and again…and again!

$35; $50

The Mitzvah

The Great Hall Auditorium

The Mitzvah (“The Good Deed”) is a one-person play that dramatically explores one of the most shocking stories of the Second World War. More than a hundred thousand German men — classified as “mischlinge” (the derogatory term the Nazis used to describe those descended from one or two Jewish grandparents) — fought in the German armed forces.
The story of one such mischling is at the center of The Mitzvah and actor (and child of survivor) Roger Grunwald seamlessly transforms himself into an array of characters to tell that story. In addition to Christoph (the “mischling”), other characters include Schmuel, a Polish Jew from Bialystok and the play’s Chorus who offers edgy commentary that probes the boundary between the absurd and the horrific. The Mitzvah is a touching and tragic tale told in a powerful one-act solo performance created by Grunwald and Broadway veteran Annie McGreevey.