Hosted by the School of Science and the Computer Science and Software Engineering Department Join us for an exclusive event featuring David Libesman (AI and data analytics thought leader; and […]
In this two-session virtual course taught by Robert Rodriguez, students will learn how to produce a podcast from the planning stage to the final upload. The two sessions will focus on developing a concept, basic recording technology, post-production and launching onto Apple & Spotify. No previous podcasting experience is required.
Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Louise Erdrich’s The Night Watchman. Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.
In this two-session virtual course taught by Robert Rodriguez, students will learn how to produce a podcast from the planning stage to the final upload. The two sessions will focus on developing a concept, basic recording technology, post-production and launching onto Apple & Spotify. No previous podcasting experience is required.
This fall the DiMattio Gallery is hosting I Wish That I Had Spoken Only of It All, an exhibition of Sheryl Oring’s social practice project I Wish to Say and related works (https://www.monmouth.edu/mca/event/i-wish-that-i-had-spoken-only-of-it-all/). Part of our programming will be a teach-in series from MU faculty about topics related to themes that intersect with Oring’s project as art reaches across disciplinary bounds. These teach-ins will be free and open to the public.
This fall the DiMattio Gallery is hosting I Wish That I Had Spoken Only of It All, an exhibition of Sheryl Oring’s social practice project I Wish to Say and related works (https://www.monmouth.edu/mca/event/i-wish-that-i-had-spoken-only-of-it-all/). Part of our programming will be a teach-in series from MU faculty about topics related to themes that intersect with Oring’s project as art reaches across disciplinary bounds. These teach-ins will be free and open to the public.
It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature Queen, A Night at the Opera.
Parliament/Funkadelic’s George Clinton declared “we want the funk,” and by the mid-70s the genre was in full swing. On the R&B and pop charts as well as on the dance floor, funk had officially taken over. This two-session virtual course taught by Kit O’Toole covers the peak of the genre, its eventual decline in popularity, and its continuing influence. Artists examined include the Ohio Players, Stevie Wonder, Average White Band, Kool and the Gang, Earth, Wind, and Fire, the Commodores, Cameo, Slave, Zapp and Roger, and many more. In addition, subgenres including go go, punk funk (coined by Rick James), funk rock, and Bay Area funk will be covered. The course includes multimedia presentations and class discussions.
Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Percival Everett’s James. AN INSTANT NEW YORK TIMES BESTSELLER • NAMED A BEST BOOK OF THE YEAR SO FAR FOR 2024 BY THE NEW YORK TIMES BOOK REVIEW • A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim’s point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.
Parliament/Funkadelic’s George Clinton declared “we want the funk,” and by the mid-70s the genre was in full swing. On the R&B and pop charts as well as on the dance floor, funk had officially taken over. This two-session virtual course taught by Kit O’Toole covers the peak of the genre, its eventual decline in popularity, and its continuing influence. Artists examined include the Ohio Players, Stevie Wonder, Average White Band, Kool and the Gang, Earth, Wind, and Fire, the Commodores, Cameo, Slave, Zapp and Roger, and many more. In addition, subgenres including go go, punk funk (coined by Rick James), funk rock, and Bay Area funk will be covered. The course includes multimedia presentations and class discussions.
