Jan Beatty’s fourth full-length book, The Switching/Yard, was published by the University of Pittsburgh Press in February, 2013. A limited edition chapbook, Ravage, was published by Lefty Blondie Press in 2012. Other books include Red Sugar, finalist for the 2009 Paterson Poetry Prize; Boneshaker, finalist, Milton Kessler Award; Mad River, Agnes Lynch Starrett Prize—all published by the University of Pittsburgh Press. Her chapbook, Ravenous, won the 1995 State Street Prize.

Anna Journey is the author of the poetry collections Vulgar Remedies (Louisiana State University Press, 2013) and If Birds Gather Your Hair for Nesting (University of Georgia Press, 2009), which was selected by Thomas Lux for the National Poetry Series. Her poems have appeared in American Poetry Review, The Best American Poetry, FIELD, The Kenyon Review, The Southern Review, and elsewhere. Her creative nonfiction appears or is forthcoming in At Length, Better, The Southern Review, and elsewhere. She’s received fellowships in poetry from Yaddo and the National Endowment for the Arts, and she teaches creative writing in Pacific University’s Master of Fine Arts in Writing program.

President Obama’s Inaugural Poet, Richard Blanco was made in Cuba, assembled in Spain, and imported to the United States—meaning his mother, 7 months pregnant, and the rest of the family arrived as exiles from Cuba to Madrid where he was born. Only 45 days later, the family emigrated once more and settled in Miami. His acclaimed first book of poetry, City of a Hundred Fires, explores the yearnings and negotiation of cultural identity as a Cuban- American, and received the Agnes Starrett Poetry Prize. His second book, Directions to The Beach of the Dead, won the Beyond Margins Award from the PEN American Center for its continued exploration of the universal themes of cultural identity and homecoming.

Louise Glück is one of America’s finest contemporary poets. Winner of the Pulitzer Prize, Glück is a former Poet Laureate of the United States and the author of a dozen widely acclaimed books. Stephen Dobyns, writing in the New York Times Book Review, said “no American poet writes better than Louise Glück, perhaps none can lead us so deeply into our own nature.” Pulitzer Prize winner Robert Hass has called her “one of the purest and most accomplished lyric poets now writing.”