Join Monmouth University Polling Institute Director Patrick Murray for a presentation highlighting how the presidential candidate switch has impacted the election outlook, the motivations of voters, and the issues that […]
This fall the DiMattio Gallery is hosting I Wish That I Had Spoken Only of It All, an exhibition of Sheryl Oring’s social practice project I Wish to Say and related works (https://www.monmouth.edu/mca/event/i-wish-that-i-had-spoken-only-of-it-all/). Part of our programming will be a teach-in series from MU faculty about topics related to themes that intersect with Oring’s project as art reaches across disciplinary bounds. These teach-ins will be free and open to the public.
Based on his acclaimed podcast, Producing the Beatles, Jason Kruppa explores the music of the Fab Four from the perspective of the one person whose point of view has never been properly and thoroughly examined: their producer, George Martin. Using innovative techniques to break down their recordings, we’ll discover how the Beatles went from learning their way around the studio to becoming masters of the art of recording, with their producer working side by side with them each step of the way. And finally, with re-recordings and detailed recreations of Martin’s orchestral scores that allow us to hear individual instrument parts,, we’ll learn how his arrangements enhanced and shaped the Beatles’ music.
This fall the DiMattio Gallery is hosting I Wish That I Had Spoken Only of It All, an exhibition of Sheryl Oring’s social practice project I Wish to Say and related works (https://www.monmouth.edu/mca/event/i-wish-that-i-had-spoken-only-of-it-all/). Part of our programming will be a teach-in series from MU faculty about topics related to themes that intersect with Oring’s project as art reaches across disciplinary bounds. These teach-ins will be free and open to the public.
Based on his acclaimed podcast, Producing the Beatles, Jason Kruppa explores the music of the Fab Four from the perspective of the one person whose point of view has never been properly and thoroughly examined: their producer, George Martin. Using innovative techniques to break down their recordings, we’ll discover how the Beatles went from learning their way around the studio to becoming masters of the art of recording, with their producer working side by side with them each step of the way. And finally, with re-recordings and detailed recreations of Martin’s orchestral scores that allow us to hear individual instrument parts,, we’ll learn how his arrangements enhanced and shaped the Beatles’ music.
Social Justice Academy Professional Development Series Fall 2024 Series A Conversation with Ruby Bridges in recognition of the 70th Anniversary of Brown v. Board of Education Co-moderated by Vernon Smith, […]
The Future of Affordable Housing in New Jersey: A Discussion of Challenges and Opportunities Presented by the Kislak Real Estate Institute at Monmouth University and the Greenbaum/Ferguson/NJAR Endowed Chair Light […]
Building Intimacy Aside from Sex: Exploring Different Forms of Connection Zoom Meeting ID: 940 5491 2250
Featuring speaker, author, and producer Nic Sheff along with community resources. Brought to you by the Tigger Stavola Foundation for Drug Prevention and Education.
Jean Valentine was born in Chicago, earned her B.A. from Radcliffe College, and lived most of her life in New York City. She won the Yale Younger Poets Award for her first book, Dream Barker and Other Poems, in 1965. Valentine authored over a dozen collections of poetry including, The River at Wolf (1992); Door in the Mountain: New and Collected Poems, 1965-2003 (2007); Break the Glass (2010); and Shirt in Heaven (2015). All of her full-length works, including an unpublished manuscript, have been compiled in the posthumous collection, Light Me Down: The New & Collected Poems of Jean Valentine (2024).
