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Events

Mihaela Moscaliuc and Michael Waters

Great Hall 104 (Julian Abele Room)

Mihaela Moscaliuc is the author of the poetry collections Cemetery Ink (University of Pittsburgh Press, 2021),  Immigrant Model (University of Pittsburgh Press, 2015) and Father Dirt (Alice James Books, 2010), translator of Liliana Ursu’s Clay and Star (Etruscan Press, 2019) and Carmelia Leonte’s The Hiss of the Viper (Carnegie Mellon University Press, 2015), editor of Insane Devotion: On the Writing of Gerald Stern (Trinity University Press, 2016), and co-editor (with Michael Waters) of Border Lines: Poems of Migration (Knopf, 2020). She has published scholarship in the field of Romani Studies, on issues of representation, appropriation, exophony and code-switching, and on the works of Kimiko Hahn, Agha Shahid Ali, and Colum McCann. She is the Translation Editor for Plume.  Michael Waters’ recent books include Sinnerman (Etruscan Press, 2023), Caw (BOA Editions, 2020), & The Dean of Discipline (University of Pittsburgh Press, 2018). Darling Vulgarity (BOA Editions, 2006) was a finalist for the Los Angeles Times Book Prize. His co-edited anthologies include Border Lines: Poems of Migration (Knopf, 2020) & Reel Verse: Poems About the Movies (Knopf, 2019). His poems have appeared in numerous journals, includingPoetry, American Poetry Review, Paris Review, Yale Review, & Kenyon Review. A 2017 Guggenheim Fellow, recipient of five Pushcart Prizes & fellowships from the National Endowment for the Arts, Fulbright Foundation, & NJ State Council on the Arts, Waters lives without a cell phone in Ocean, NJ.

Free and open to the public

Living the Beatles Legend with Mal Evans

Virtual

Join Monmouth University Professor Kenneth Womack for an in-depth look at the life and times of Beatles roadie Mal Evans. For nearly 50 years, his story has been shrouded in mystery, especially his death at the hands of the LA police in January 1976. Professor Womack will reveal the truth about Mal’s remarkable life and untimely loss, while also sharing previously unpublished photos and other anecdotes from his forthcoming book Living the Beatles Legend: The Untold Story of Mal Evans.”

$20 (for one session)

Jackson Browne’s The Pretender

The Great Hall Auditorium/Virtual 400 Cedar Ave, West Long Branch, NJ, United States

It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature Jackson Browne’s The Pretender.

Free and open to the public but registration is required
Recurring

British Invasion Part 2: First Wave, 1963-1967

Virtual

This two-session virtual course taught by Kit O’Toole will survey some of the major artists of the First Wave period, from 1963-1967. It will cover genres from pop to the beginnings of psychedelia, and will examine other acts such as the Who, Dusty Springfield, the Animals, the Hollies, and many more. In addition, the class will study the impact of the First Wave on the charts and on American pop and rock music. Finally, how did the First Wave set the stage for the psychedelic and hard rock sound of the Second Wave?

$50 (for two sessions)

Alexander Pushkin’s Eugene Onegin

Virtual

Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Alexander Pushkin’s Eugene Onegin. Eugene Onegin is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s Russia, Pushkin’s verse novel follows the fates of three men and three women. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein.

Free and open to the public but registration is required
Recurring

British Invasion Part 2: First Wave, 1963-1967

Virtual

This two-session virtual course taught by Kit O’Toole will survey some of the major artists of the First Wave period, from 1963-1967. It will cover genres from pop to the beginnings of psychedelia, and will examine other acts such as the Who, Dusty Springfield, the Animals, the Hollies, and many more. In addition, the class will study the impact of the First Wave on the charts and on American pop and rock music. Finally, how did the First Wave set the stage for the psychedelic and hard rock sound of the Second Wave?

$50 (for two sessions)

The Eagles’ Hotel California

Virtual

It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature The Eagles’ Hotel California.

Free and open to the public but registration is required

William Styron’s Sophie’s Choice

Virtual

Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is William Styron’s Sophie’s Choice. The author’s last novel, it concerns the relationships among three people sharing a boarding house in Brooklyn: Stingo, a young aspiring writer from the South, Jewish scientist Nathan Landau, and his lover Sophie, a Polish-Catholic survivor of the German Nazi concentration camps, whom Stingo befriends.

Free and open to the public but registration is required

I will dance with those oak trees as long as

Lauren K. Woods Theatre +1 more

In March of 1988 in Halabja, Iraq, Saddam Hussein’s regime attacked Kurdish peoples through the use of chemical weapons, as part of the Anfal ethnic cleansing campaign. Set in a carpet store at this time, I will dance with those oak trees as long as takes us on a poetic voyage into the life of three Kurdish women, inspired by the poetry of Kajal Ahmad and the characters Gilgamesh, Enkidu, and Ninsun from the world’s most ancient epic poem: Gilgamesh. Carpets, chairs, and strings create the environment in which two actresses interpret the three different women and how they react to a violent and unstable outside world.  Accompanied by soundscapes inspired by traditional Kurdish music, this international duo uses objects, puppets, and a multilayered world of reality, dreams, memories, and visions to explore the question of what it means to be a hero when you have no other choice. 

Free and open to the public; Registration Encouraged.
Recurring

I will dance with those oak trees as long as

Lauren K. Woods Theatre +1 more

In March of 1988 in Halabja, Iraq, Saddam Hussein’s regime attacked Kurdish peoples through the use of chemical weapons, as part of the Anfal ethnic cleansing campaign. Set in a carpet store at this time, I will dance with those oak trees as long as takes us on a poetic voyage into the life of three Kurdish women, inspired by the poetry of Kajal Ahmad and the characters Gilgamesh, Enkidu, and Ninsun from the world’s most ancient epic poem: Gilgamesh. Carpets, chairs, and strings create the environment in which two actresses interpret the three different women and how they react to a violent and unstable outside world.  Accompanied by soundscapes inspired by traditional Kurdish music, this international duo uses objects, puppets, and a multilayered world of reality, dreams, memories, and visions to explore the question of what it means to be a hero when you have no other choice. 

Free and open to the public; Registration Encouraged.