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Producing the Beatles

Virtual

Based on his acclaimed podcast, Producing the Beatles, Jason Kruppa explores the music of the Fab Four from the perspective of the one person whose point of view has never been properly and thoroughly examined: their producer, George Martin. Using innovative techniques to break down their recordings, we’ll discover how the Beatles went from learning their way around the studio to becoming masters of the art of recording, with their producer working side by side with them each step of the way. And finally, with re-recordings and detailed recreations of Martin’s orchestral scores that allow us to hear individual instrument parts,, we’ll learn how his arrangements enhanced and shaped the Beatles’ music.

$50 (for two sessions)

A Tribute to Jean Valentine – Panel Discussion featuring Alice Ostriker, Joan Larkin, Carey Salerno, and Ann Marie Macari

Julian Abele Room (The Great Hall Room 104)

Jean Valentine was born in Chicago, earned her B.A. from Radcliffe College, and lived most of her life in New York City. She won the Yale Younger Poets Award for her first book, Dream Barker and Other Poems, in 1965. Valentine authored over a dozen collections of poetry including, The River of Wolf (1992); Door in the Mountain: New and Collected Poems, 1965-2003 (2007); Break the Glass (2010); and Shirt in Heaven (2015). All of her full-length works, including an unpublished manuscript, have been compiled in the posthumous collection, Light Me Down: The New & Collected Poems of Jean Valentine (2024).

Free and open to the public

Poetry Readings with Q&A Featuring Alicia Ostriker & Joan Larkin

Julian Abele Room (The Great Hall Room 104)

ALICIA OSTRIKER has published 19 collections of poetry, been twice nominated for the National Book Award, and has twice received the National Jewish Book Award for Poetry, among other honors. JOAN LARKIN is the author of five previous collections of poetry, including Blue Hanuman (2014); My Body: New and Selected Poems (2007), which received the Audre Lorde Award from the Publishing Triangle; Lambda Literary Award winner Cold River (1997); and Housework (1975). With Jaime Manrique, Larkin translated Sor Juana’ s Love Poems, a bilingual edition of Sor Juana Inez de la Cruz’ s poetry (1997).

Free and open to the public but registration is required.

Bruce Springsteen, The Ghost of Tom Joad

The Great Hall Auditorium/Virtual 400 Cedar Ave, West Long Branch, NJ, United States

It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature The Ghost of Tom Joad.

Free and open to the public, but registration is required.
Recurring

Podcasting for Beginners

Virtual

In this two-session virtual course taught by Robert Rodriguez, students will learn how to produce a podcast from the planning stage to the final upload. The two sessions will focus on developing a concept, basic recording technology, post-production and launching onto Apple & Spotify. No previous podcasting experience is required.

$50 (for two sessions)

Louise Erdrich, The Night Watchman

Virtual

Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Louise Erdrich’s The Night Watchman. Based on the extraordinary life of National Book Award-winning author Louise Erdrich’s grandfather who worked as a night watchman and carried the fight against Native dispossession from rural North Dakota all the way to Washington, D.C., this powerful novel explores themes of love and death with lightness and gravity and unfolds with the elegant prose, sly humor, and depth of feeling of a master craftsman.

Free and open to the public, registration required.
Recurring

Podcasting for Beginners

Virtual

In this two-session virtual course taught by Robert Rodriguez, students will learn how to produce a podcast from the planning stage to the final upload. The two sessions will focus on developing a concept, basic recording technology, post-production and launching onto Apple & Spotify. No previous podcasting experience is required.

$50 (for two sessions)

Queen, A Night at the Opera

Woods Theatre/Virtual 400 Cedar Ave, West Long Branch, NJ, United States

It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature Queen, A Night at the Opera.

Free and open to the public, but registration is required.
Recurring

Bring in Da Funk, Part II

Virtual

Parliament/Funkadelic’s George Clinton declared “we want the funk,” and by the mid-70s the genre was in full swing. On the R&B and pop charts as well as on the dance floor, funk had officially taken over. This two-session virtual course taught by Kit O’Toole covers the peak of the genre, its eventual decline in popularity, and its continuing influence. Artists examined include the Ohio Players, Stevie Wonder, Average White Band, Kool and the Gang, Earth, Wind, and Fire, the Commodores, Cameo, Slave, Zapp and Roger, and many more. In addition, subgenres including go go, punk funk (coined by Rick James), funk rock, and Bay Area funk will be covered. The course includes multimedia presentations and class discussions.

$50 (for two sessions)

Percival Everett, James

Virtual

Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Percival Everett’s James. AN INSTANT NEW YORK TIMES BESTSELLER • NAMED A BEST BOOK OF THE YEAR SO FAR FOR 2024 BY THE NEW YORK TIMES BOOK REVIEW • A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and darkly humorous, told from the enslaved Jim’s point of view. When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond.

Free and open to the public, registration required.