Join us for a World Cinema Series film screening/discussion illuminating the theme “Wartime Lives: Enduring and Transcending Violence and Occupation” by analyzing the message and impact of the film The Clay Bird (Bengali, 2002). Set against a 1960’s backdrop leading up to Bangladesh’s independence from Pakistan, THE CLAY BIRD tells the story of Anu, a boy sent away by his father to an Islamic school. Far from his family and the warmth of his region’s Hindu festivities, Anu struggles to break out of his shell and adapt to the school’s harsh monastic life. As the political divisions in the country intensify, an increasing split develops between the school’s students, just as Anu’s parents find themselves growing apart. Rather than be torn in half, Anu must decide which side he falls upon in this complex tale of tolerance, diversity, and the practice of Islam in a crises-ridden world.

Join us for a World Cinema Series film screening/discussion illuminating the theme “Wartime Lives: Enduring and Transcending Violence and Occupation” by analyzing the message and impact of the film Budrus (Israeli/Palestinian/American, 2009). Budrus is an award-winning feature documentary film about Palestinian community organizer, Ayed Morrar, who unites Palestinian political factions and invites Israeli supporters to join an unarmed movement to save his village of Budrus from destruction by Israel’s Separation Barrier. Success eludes them until his 15-year-old daughter, Iltezam, launches a women’s contingent that quickly moves to the front lines. Struggling side by side, father and daughter unleash an inspiring, yet little-known, movement in the Occupied Palestinian Territories that is still gaining ground today.

Join us for a World Cinema Series film screening/discussion illuminating the theme “Wartime Lives: Enduring and Transcending Violence and Occupation” by analyzing the message and impact of the film Quo Vadis, Aida? (Bosnian, 2020). The film dramatizes the events of the Srebrenica massacre, during which Serbian troops sent Bosniak men and boys to death in July 1995 led by Serbian convicted war criminal Ratko Mladić. Named for its protagonist, Quo Vadis, Aida? exposes the events through the eyes of a mother named Aida, a schoolteacher who works with the United Nations as a translator. After three and a half years under siege, the town of Srebrenica, close to the northeastern Serbian border, was declared a UN safety zone in 1993 and put under the protection of a Dutch battalion working for the UN.

Join us for a World Cinema Series film screening/discussion illuminating the theme “Wartime Lives: Enduring and Transcending Violence and Occupation” by analyzing the message and impact of the film As We Forgive (2009). Directed by Laura Waters Hinson and narrated by Mia Farrow comes the award-winning documentary of two Rwandan women who struggle with the face-to-face encounter with the men who slaughtered their families during the 1994 genocide. These women and men speak for a nation still wracked by the grief of a genocide that killed one in eight Rwandans. Overwhelmed by an enormous backlog of court cases, the government released 50,000 perpetrators back to the very communities they helped to destroy. Without the hope of full justice, Rwanda has turned to a new solution of reconciliation. Come experience through their eyes the journey from death to life through forgiveness. 

We Are the Best! is a story of three young misfit girls growing up in the early ‘80s Stockholm. Pixieish, mohawk-sporting Klara and her best friend Bobo are 13-year-old rebels looking for a cause. Despite having no instruments—or discernible musical talent—the two put all their energy into forming an all-girl punk band, recruiting their shy, classical guitar-playing schoolmate Hedwig as a third wheel. With tender affection for its young characters, We Are the Best! paints a joyous and sharply observant portrait of the rebellious spirit of youth and growing up different. There will be a post screening Q&A hosted by Professor Mihaela Moscaliuc with special guest speaker Prof. Joe Rapolla.