Anthony Minghella’s breathtaking production has thrilled audiences ever since its premiere in 2006. One of the world’s foremost Butterflys, soprano Kristine Opolais, takes on the title role, and Roberto Alagna sings Pinkerton, the naval officer who breaks Butterfly’s heart. Karel Mark Chichon conducts.
ESTIMATED RUN TIME: 2 HRS 40 MINS
Soprano Anna Netrebko’s dramatic and vocal skills are on full display as Leonora, the Verdi heroine who sacrifices her life for the love of the title troubadour. Tenor Yonghoon Lee sings the ill-fated Manrico, baritone Dmitri Hvorostovsky is his rival, and mezzo-soprano Dolora Zajick is the mysterious gypsy with a troubled past. Marco Armiliato conducts Sir David McVicar’s gritty, Goya-inspired production.
ESTIMATED RUN TIME: 2 HRS 41 MINS
Beloved American soprano Renée Fleming joins Russian baritone Dmitri Hvorostovsky for a performance of Tchaikovsky’s masterpiece of unrequited young love. The opera’s sweeping dramatic arc of this opera—youthful longing, rejection, regret, a desperate plea that comes too late—is perfectly mirrored in Tchaikovsky’s achingly beautiful music and in the gorgeous lighting of this strikingly minimal production.
RUN TIME: 2 HRS 49 MINS
Nina Stemme, one of opera’s greatest dramatic sopranos, takes on the title role of the proud princess of legendary China. Tenor Marco Berti is Calàf, the brave prince who sings “Nessun dorma” and wins her hand. Franco Zeffirelli’s dazzling production is conducted by Paolo Carignani.
ESTIMATED RUN TIME: 2 HRS 18 MINS
Based on the acclaimed novel by Mark Haddon, adapted by Simon Stephens.
‘A phenomenal combination of storytelling and spectacle’ (The Times)
‘Dazzlingly inventive’ (Evening Standard)
The Curious Incident of the Dog in the Night-time returns to selected international cinemas in 2018.
Captured live from the National Theatre in London, this critically acclaimed production directed by Marianne Elliot (Angels in America, War Horse) has astonished audiences around the world and has received seven Olivier and five Tony Awards®. Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington. He has an extraordinary brain, exceptional at math while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.
Production photography by Manuel Harlan
Vanessa Kirby (The Crown, NT Live: A Streetcar Named Desire) and Eric Kofi Abrefa (The Amen Corner) feature in the cast of this brand new production, directed by Carrie Cracknell (NT Live: The Deep Blue Sea) and broadcast live from the National Theatre to cinemas.
Wild and newly single, Julie throws a late night party. In the kitchen, Jean and Kristina clean up as the celebration heaves above them. Crossing the threshold, Julie initiates a power game with Jean – which rapidly descends into a savage fight for survival.
This new version of August Strinberg’s play Miss Julie, written by Polly Stenham, remains shocking and fiercely relevant in its new setting of contemporary London.
Soprano Anna Netrebko sings her first Met Aida, with mezzo-soprano Anita Rachvelishvili as her formidable rival Amneris. Aleksandrs Antonenko is the warrior Radamès, and Nicola Luisotti takes the podium for the Met’s monumental production.
Soprano Anna Netrebko sings her first Met Aida, with mezzo-soprano Anita Rachvelishvili as her formidable rival Amneris. Aleksandrs Antonenko is the warrior Radamès, and Nicola Luisotti takes the podium for the Met’s monumental production.
Saint-Saëns’s biblical epic Samson et Dalila stars Elīna Garanča and Roberto Alagna in the title roles; the pair was last seen together by HD audiences in the acclaimed 2010 transmission of Bizet’s Carmen. Laurent Naouri co-stars as the High Priest, with Elchin Azizov as the Philistine King Abimélech and Dmitry Belosselskiy as the Old Hebrew. Darko Tresnjak, the Tony Award–winning director of A Gentleman’s Guide to Love & Murder, makes his Met debut directing the first new Met production of the opera in 20 years. Sir Mark Elder conducts.
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
