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Events

Medea

Pollak Theatre

Having triumphed at the Met in some of the repertory’s fiercest soprano roles, Sondra Radvanovsky stars as the mythic sorceress who will stop at nothing in her quest for vengeance. Joining Radvanovsky in the Met-premiere production of Cherubini’s rarely performed masterpiece is tenor Matthew Polenzani as Medea’s Argonaut husband, Giasone; soprano Janai Brugger as her rival for his love, Glauce; bass Michele Pertusi as her father, Creonte, the King of Corinth; and mezzo-soprano Ekaterina Gubanova as Medea’s confidante, Neris.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Venice: Infinitely Avant Garde

Pollak Theatre

A tour of the magical city, Venice: Infinitely Avant Garde showcases masterpieces by Tiepolo, Canaletto, Rosalba Carriera and the intellectuals who fell in love with Venice: from Canova to Goethe, Lord Byron to Walter Scott, down to the great Hollywood stars drawn to its yearly Film Festival. 1600 years after its legendary foundation, Venice continues to be unique for its urban landscape and for its rich history, but above all, the city is unique for its identity, which combines the charm of decadence with the excitement of being on the cutting edge. 

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

La Traviata

Pollak Theatre

Soprano Nadine Sierra stars as the self-sacrificing courtesan Violetta—one of opera’s ultimate heroines—in Michael Mayer’s vibrant production of Verdi’s beloved tragedy. Tenor Stephen Costello is her self-centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father and Maestro Daniele Callegari on the podium.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

The Seagull

Pollak Theatre

Emilia Clarke (Game of Thrones) makes her West End debut in this 21st century retelling of Anton Chekhov’s tale of love and loneliness. A young woman is desperate for fame and a way out. A young man is pining after the woman of his dreams. A successful writer longs for a sense of achievement. An actress wants to fight the changing of the times. In an isolated home in the countryside, dreams lie in tatters, hopes are dashed, and hearts broken. With nowhere left to turn, the only option is to turn on each other.

Following his critically acclaimed five-star production of Cyrano de Bergerac, Jamie Lloyd brings Anya Reiss’ adaptation of Anton Chekhov’s classic play to stage. Filmed live in London’s West End with a cast including Tom Rhys Harries (White Lines), Daniel Monks (The Normal Heart), Sophie Wu (Fresh Meat) and Indira Varma (Game of Thrones).

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

The Hours

Pollak Theatre

The world-premiere staging of Kevin Puts’s The Hours, adapted from Michael Cunningham’s acclaimed novel, which also served as the inspiration for the Oscar-winning film, arrives in cinemas this December. In her highly anticipated return to the Met, soprano Renée Fleming joins soprano Kelli O’Hara and mezzo-soprano Joyce DiDonato to portray three women from different eras who grapple with their inner demons and their roles in society. Phelim McDermott, who recently created the Met’s acclaimed production of Philip Glass’s Akhnaten, directs this compelling drama, and Yannick Nézet-Séguin takes the podium to conduct Puts’s powerful score.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Much Ado About Nothing

Pollak Theatre

Katherine Parkinson (The IT Crowd) and John Heffernan (Dracula) lead the cast in Shakespeare’s romcom of sun, sea and mistaken identity.

The legendary family-run Hotel Messina on the Italian Riveria has been visited by artists, celebrities and royalty. But when the owner’s daughter weds a dashing young soldier, not all guests are in the mood for love. A string of scandalous deceptions soon surround not only the young couple, but also the adamantly single Beatrice and Benedick. Following the award-winning success of National Theatre Live’s Romeo & Juliet, Twelfth Night and Antony and Cleopatra, director Simon Godwin returns with this irresistible comedy, broadcast live from the National Theatre stage.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Fedora

Pollak Theatre

Giordano’s exhilarating drama Fedora returns to the Met for the first time in 25 years, starring soprano Sonya Yoncheva in the title role of the 19th-century princess who falls in love with her fiancé’s murderer, Count Loris, sung by tenor Piotr Beczała. Soprano Rosa Feola is the Countess Olga, Fedora’s confidante, and baritone Artur Ruciński is the diplomat De Siriex. Marco Armiliato conducts David McVicar’s intricate production, with a fixed set that unfolds to reveal the opera’s settings: a palace in St. Petersburg, a fashionable Parisian salon, and a picturesque villa in the Swiss Alps.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

The Crucible

Pollak Theatre

A witch hunt is beginning in Arthur Miller’s captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma). Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power.  As a climate of fear, vendetta and accusation spreads through the community, no one is safe from trial. Lyndsey Turner (Hamlet) directs this contemporary new staging, designed by Tony Award-winner Es Devlin (The Lehman Trilogy). Captured live from the Olivier stage at the National Theatre.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Lohengrin

Pollak Theatre

Wagner’s Lohengrin returns to the Met stage after an absence of 17 years with this atmospheric new staging by François Girard. Yannick Nézet-Séguin conducts a cast led by tenor Piotr Beczała in the title role of the mysterious swan knight. Soprano Tamara Wilson is the virtuous duchess Elsa, falsely accused of murder, going head-to-head with soprano Christine Goerke as the cunning sorceress Ortrud. Bass-baritone Evgeny Nikitin is Ortrud’s power-hungry husband, Telramund, and bass Günther Groissböck is King Heinrich.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Falstaff

Pollak Theatre

Verdi’s Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging. Baritone Michael Volle sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed performances in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano Jennifer Johnson Cano as Meg Page, and mezzo-soprano Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couple Nannetta and Fenton, and Daniele Rustioni conducts.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)