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Champion

Pollak Theatre

Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones made history in the 2021–22 season. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo- soprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Nézet-Séguin returns to the podium to conduct Blanchard’s second Met premiere. Director James Robinson, whose productions of Fire Shut Up in My Bones and Porgy and Bess brought down the house, oversees the staging. Camille A. Brown, whose choreography electrified audiences in Fire and Porgy, also returns.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Der Rosenkavalier

Pollak Theatre

A stellar trio assembles to take on the lead roles of Strauss’s comedy, with soprano Lise Davidsen in her Met role debut as the Marschallin, opposite Mezzo-soprano Samantha Hankey in her Met role debut as Octavian, and soprano Erin Morley as Sophie. Bass Günther Groissböck returns as Baron Ochs, and Markus Brück is Sophie’s father, Faninal. Maestro Simone Young takes the podium to oversee Robert Carsen’s fin-de-siècle staging.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Don Giovanni

Pollak Theatre

Tony Award–winning director Ivo van Hove makes his Met debut with a new staging of Mozart’s tragicomedy Don Giovanni. The tale of deceit and damnation is set in an abstract architectural landscape that explores the dark corners of the story and its characters. Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang are Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss sings Don Ottavio.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Best of Enemies

Pollak Theatre

David Harewood (Homeland) and Zachary Quinto (Star Trek) play feuding political rivals in James Graham’s (Sherwood) multiple award-winning new drama.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Die Zauberflöte

Pollak Theatre

Nathalie Stutzmann conducts her second Mozart work this season with a new production of Die Zauberflöte. In his Met-debut staging, Simon McBurney incorporates projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

GOOD

Pollak Theatre

David Tennant (Doctor Who) makes a much-anticipated return to the West End in a blistering reimagining of one of Britain’s most powerful, political plays. As the world faces its Second World War, John Halder, a good, intelligent German professor, finds himself pulled into a movement with unthinkable consequences. Olivier Award-winner Dominic Cooke (Follies) directs C.P. Taylor’s timely tale, with a cast that also features Elliot Levey (Coriolanus) and Sharon Small (The Bay). Filmed live at the Harold Pinter Theatre in London.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Jake Heggie’s Dead Man Walking

Pollak Theatre

Yannick Nézet-Séguin (Conductor), Latonia Moore (Sister Rose), Joyce DiDonato (Sister Helen Prejean), Susan Graham (Mrs. Patrick De Rocher), Ryan McKinny (Joseph De Rocher) Jake Heggie’s powerful work has its highly anticipated Met premiere in a new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s poignant music and a libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

TITIAN: THE EMPIRE OF COLOR

Pollak Theatre

From Ferrara to Urbino, from Mantua to Rome, up to the Spain of Carlos V and his son Felipe II, Titian crossed his century illuminating it with his works of art, inspiring future generations of artists. Perfect interpreter of religion and mythology, portrayer of immediate expressive strength, he dominated his time outshining his contemporaries, always abiding by his motto: ‘Art is more powerful than Nature’.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

BORROMINI AND BERNINI: THE CHALLENGE FOR PERFECTION

Pollak Theatre

This is the story of the most famous artistic rivalry of all time, the one between Borromini and Bernini, but also the story of Borromini’s rivalry with himself: a genius so absorbed by his art that he turns it into a demon that devours him from the inside forcing him to choose death to reach eternity.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)

Anthony Davis’s X: The Life and Times of Malcolm X

Pollak Theatre

Anthony Davis’s groundbreaking opera, which premiered in 1986, arrives at the Met at long last. Robert O’Hara, who was nominated for a Tony Award in 2020 for his direction of Slave Play, oversees a new staging that imagines Malcolm as an everyman whose story transcends time and space. A cast of breakout artists take part in the operatic retelling of Malcom X’s life. Baritone Will Liverman, who triumphed in the Met premiere of Terence Blanchard’s Fire Shut Up in My Bones, sings Malcolm. Soprano Leah Hawkins plays his mother, Louise; mezzo-soprano Raehann Bryce-Davis is his sister Ella; bass-baritone Michael Sumuel is his brother Reginald; and tenor Victor Ryan Robertson is the Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)