Terence Blanchard’s Fire Shut Up in My Bones, the second opera from the six-time Grammy Award–winning and Oscar-nominated trumpeter and composer—who is also known for scoring Spike Lee films—makes history this season as the first opera by a Black composer to be performed by the Met. Blanchard’s groundbreaking masterpiece weaves together jazz, gospel, and classical styles to tell a powerful story of resilience and self-discovery. The critically acclaimed production, which also features standout choreography by Camille A. Brown, including a show-stopping step dance in Act III, stars an exceptional cast including baritone Will Liverman and sopranos Angel Blue and Latonia Moore. Don’t miss the landmark production—hailed as “a watershed moment for American opera” by The Washington Post

Soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts.

For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Met Music Director Yannick Nézet-Séguin leads a starry cast, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Jamie Barton as Eboli. Bass-baritones Eric Owens and John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the principal cast as Rodrigue. Verdi’s masterpiece receives a monumental new staging by David McVicar that marks his 11th Met production, placing him among the most prolific and popular directors in recent Met memory.