Countertenor Anthony Roth Costanzo headlines American composer Philip Glass’s transcendent contemporary creation, with Karen Kamensek conducting. Phelim McDermott’s stunning production employs a virtuosic company of acrobats and jugglers to conjure a mystical reimagining of ancient Egypt.
On the bazaar square of Andrinopolis, the Pacha is struck by the beauty of Medora and tries to buy her, but the lovely young woman is not for sale. As the transaction is about to be completed, Medora is kidnaped by Conrad, a charming corsair (pirate) who catches her eye. Bolshoi Prima Ballerina, the “mesmerizing” Ekaterina Krysanova and Leading Soloist Igor Tsvirko ignite Medora and Conrad’s passion with undeniable intensity. (The Guardian) Le Corsaire remains a breath-taking production reworked by Alexei Ratmansky, who has created enough dancing for nearly the entire troupe, along with luxurious cinematic sets and a shipwreck, bringing the magnificence of the Bolshoi to life.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
Anthony Minghella’s vividly cinematic staging returns to cinemas, featuring soprano Hui He in the devastating title role. Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, with a cast that also includes tenor Piero Pretti as Pinkerton, baritone Paulo Szot as Sharpless, and mezzo-soprano Elizabeth DeShong as Suzuki.
Countertenor Anthony Roth Costanzo headlines American composer Philip Glass’s transcendent contemporary creation, with Karen Kamensek conducting. Phelim McDermott’s stunning production employs a virtuosic company of acrobats and jugglers to conjure a mystical reimagining of ancient Egypt.
Berg’s 20th-century shocker stars baritone Peter Mattei in the title role, with Music Director Yannick Nézet-Séguin on the podium and soprano Elza van den Heever as the long-suffering Marie. Groundbreaking visual artist and director William Kentridge unveils a bold new staging set in an apocalyptic wasteland.
Berg’s 20th-century shocker stars baritone Peter Mattei in the title role, with Music Director Yannick Nézet-Séguin on the podium and soprano Elza van den Heever as the long-suffering Marie. Groundbreaking visual artist and director William Kentridge unveils a bold new staging set in an apocalyptic wasteland.
Broadcast live from The Old Vic in London, Academy Award-winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons. America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare. Jeremy Herrin (NT Live: This House, People, Places & Things) directs a cast including Jenna Coleman (Victoria), and Colin Morgan (Merlin).
PLEASE NOTE: DUE TO HIGH DEMAND THERE WILL BE A VERY LIMITED AMOUNT OF WALK-UP TICKETS AVAILABLE FOR THIS SCREENING. WE SUGGEST THAT IF YOU ARE PLANNING TO ATTEND TO THIS SCREENING YOU PURCHASE YOUR TICKETS IN ADVANCE. The Gershwin’s modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.
The Gershwin’s modern American masterpiece has its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. Director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion, and heartbreak of its inhabitants.
