A public, participatory installation by Karen Bright featuring a collaborative work with Assistant Professor of Communication, Amanda Stojanov, will feature placed-based work related to the legacy of Hurricane Sandy.
We are extending this invitation for you to join us as we host Afrofuturist Design: Ancient Dogon To Wakandan Futures, beginning in September and ending in November 2019. We hope […]
Alexandra Kleeman is a Staten Island-based writer of fiction and nonfiction, and the winner of the 2016 Bard Fiction Prize. Her fiction has been published in The New Yorker, The Paris Review, Zoetrope: All-Story, Conjunctions, and Guernica, among others. Nonfiction essays and reportage have appeared in The New York Times Magazine, Harper’s, Tin House, n+1, and The Guardian. Her work has received scholarships and grants from Bread Loaf, the Virginia Center for the Creative Arts, Santa Fe Art Institute, and ArtFarm Nebraska. She is the author of the debut novel You Too Can Have A Body Like Mine (Harper, 2015) and Intimations (Harper, 2016), a short story collection
It’s just like a book club but with albums! Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss … there will be special guest moderators and panelists at each event!
The Testaments, Margaret Atwood’s highly anticipated sequel to The Handmaid’s Tale, is revealed. The momentous literary event will be celebrated with an exclusive live cinema broadcast, as Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor. The publication of Atwood’s The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression. Live from the London stage, Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later.
A Sense of Place in Contemporary Encaustic will be juried by renowned artist and teacher Lisa Pressman, curated by Karen Bright, Professor of Art and Design at Monmouth University, and guest curated by Oregon-based artist Kathleen Curtis Cosgrove. A national roster of artists were reviewed for this juried invitational. In the search for artists, the juror and curators sought out work that fit the theme of place, and also met the criteria for level of aesthetic and technical accomplishment using encaustic-based materials.
An exhibit of photographs by artist/photographer, Mike Frankel that capture many of the historic milestones in rock history including; the first ever appearance of Led Zeppelin in New York City and the Who’s first New York City performance of Tommy, along with photographs from the stage at Woodstock. The images have been scanned and printed directly from the 35 mm transparencies. The finished 35 mm slides were composed and exposed with up to 10 images on one frame of film while the action never stopped. There are some compelling single image photographs in the exhibition, but the multiple image photographs vividly demonstrate the power and dynamism of the rock ‘n’ roll experience.
Tintoretto: A Rebel in Venice fully immerses audiences in the life of the last great artist of the Italian Renaissance. With the enchanting narrative voice of twice Academy Award nominee Helena Bonham Carter, cinema audiences visit places that evoke and preserve the memory of the painter, including the State Archives, the Doge’s Palace, St. Mark’s Square, the Church of San Rocco, and more, all in celebration of the 500th anniversary of Tintoretto’s birth.
When the estranged daughter of a hard-working live-in housekeeper suddenly appears, the unspoken class barriers that exist within the home are thrown into disarray.
This event is part of Hispanic American Heritage Month
The story of a family and a company that changed the world, told in three parts on a single evening. Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons. On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history. This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
