This is the story of the most famous artistic rivalry of all time, the one between Borromini and Bernini, but also the story of Borromini’s rivalry with himself: a genius so absorbed by his art that he turns it into a demon that devours him from the inside forcing him to choose death to reach eternity.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
Mihaela Moscaliuc is the author of the poetry collections Cemetery Ink (University of Pittsburgh Press, 2021), Immigrant Model (University of Pittsburgh Press, 2015) and Father Dirt (Alice James Books, 2010), translator of Liliana Ursu’s Clay and Star (Etruscan Press, 2019) and Carmelia Leonte’s The Hiss of the Viper (Carnegie Mellon University Press, 2015), editor of Insane Devotion: On the Writing of Gerald Stern (Trinity University Press, 2016), and co-editor (with Michael Waters) of Border Lines: Poems of Migration (Knopf, 2020). She has published scholarship in the field of Romani Studies, on issues of representation, appropriation, exophony and code-switching, and on the works of Kimiko Hahn, Agha Shahid Ali, and Colum McCann. She is the Translation Editor for Plume. Michael Waters’ recent books include Sinnerman (Etruscan Press, 2023), Caw (BOA Editions, 2020), & The Dean of Discipline (University of Pittsburgh Press, 2018). Darling Vulgarity (BOA Editions, 2006) was a finalist for the Los Angeles Times Book Prize. His co-edited anthologies include Border Lines: Poems of Migration (Knopf, 2020) & Reel Verse: Poems About the Movies (Knopf, 2019). His poems have appeared in numerous journals, includingPoetry, American Poetry Review, Paris Review, Yale Review, & Kenyon Review. A 2017 Guggenheim Fellow, recipient of five Pushcart Prizes & fellowships from the National Endowment for the Arts, Fulbright Foundation, & NJ State Council on the Arts, Waters lives without a cell phone in Ocean, NJ.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
With an infectiously unforgettable score from four-time Grammy winner, three-time Oscar winner and musical theatre giant, Stephen Schwartz, Pippin is the story of one young person’s journey to be extraordinary. Winner of four 2013 Tony Awards including Best Musical Revival.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
With an infectiously unforgettable score from four-time Grammy winner, three-time Oscar winner and musical theatre giant, Stephen Schwartz, Pippin is the story of one young person’s journey to be extraordinary. Winner of four 2013 Tony Awards including Best Musical Revival.
Anthony Davis’s groundbreaking opera, which premiered in 1986, arrives at the Met at long last. Robert O’Hara, who was nominated for a Tony Award in 2020 for his direction of Slave Play, oversees a new staging that imagines Malcolm as an everyman whose story transcends time and space. A cast of breakout artists take part in the operatic retelling of Malcom X’s life. Baritone Will Liverman, who triumphed in the Met premiere of Terence Blanchard’s Fire Shut Up in My Bones, sings Malcolm. Soprano Leah Hawkins plays his mother, Louise; mezzo-soprano Raehann Bryce-Davis is his sister Ella; bass-baritone Michael Sumuel is his brother Reginald; and tenor Victor Ryan Robertson is the Nation of Islam leader Elijah Muhammad. Kazem Abdullah conducts the newly revised score, which provides a layered, jazz-inflected setting for the esteemed writer Thulani Davis’s libretto.
