December Senior Show
Rotary Ice House GalleryFeaturing the work of Monmouth University graduating seniors who will receive their degrees in Graphic Design, Animation or Fine Art.
Featuring the work of Monmouth University graduating seniors who will receive their degrees in Graphic Design, Animation or Fine Art.
Featuring the work of the Monmouth University Department of Art and Design Faculty and Adjunct Faculty. Opening Reception: Friday, Jan. 27, 7:00 – 9:00 p.m.
Drones are in the news. They carry out targeted killings; they are manned with cameras to record movements on the ground; hobbyists fly them in public spaces; Amazon wants to use them to deliver their products. Appropriating visual juxtapositions from the surrealists and kitsch sic-fi invasion films, Karina Aguilera Skvirsky’s Drones, is a series of photo-collages that put flying objects into our aerial landscapes. This series includes landscapes from US, Ecuador and other unidentifiable locations. Skvirsky is a multi-disciplinary artist who works in photography, video and performance. Her work has been exhibited internationally in group and solo exhibitions. She teaches at Lafayette College and The New School, Parsons School of Design. Lecture: Feb. 2, from 4:30 – 5:30 p.m. in Wilson Hall Auditorium. Opening reception: Friday, Feb. 2, from 5:30 – 7:00 p.m.
During harvest festival at a collective farm, a visiting dance troupe reunites a ballerina with her childhood friend Zina. In order to teach her unfaithful husband a lesson, Zina, the ballerina and the ballerina’s husband decide to swap roles for the evening…
America in the 1960s, an era that encouraged LOVE, was populated by “Mad Men” and “Mod Women” trying to navigate the new normal. In this freshly conceived production of Neil Simon’s classic, Last of the Red Hot Lovers, true comedy ensues when a modern man in the hip sixties looks for something new and different, but ends up finding himself in the same situation, again and again…and again!
On her 16th birthday, a curse by the evil Carabosse causes the beautiful Princess Aurora to fall into a deep slumber for 100 years. Only the kiss of a prince could awaken her…
Hasan Elahi is an interdisciplinary artist working with issues in surveillance, privacy, migration, citizenship, technology, and the challenges of borders.
Liz Moore is a writer of fiction and creative nonfiction. Her first novel, The Words of Every Song (Broadway Books, 2007), centers on a fictional record company in New York City just after the turn of the millennium. It draws partly on Liz’s own experiences as a musician. It was selected for Borders’ Original Voices program and was given a starred review by Kirkus.Roddy Doyle wrote of it, “This is a remarkable novel, elegant, wise, and beautifully constructed. I loved the book.” After the publication of her debut novel, Liz obtained her MFA in Fiction from Hunter College. In 2009, she was awarded the University of Pennsylvania’s ArtsEdge residency and moved to Philadelphia, where she still lives.
The Mitzvah (“The Good Deed”) is a one-person play that dramatically explores one of the most shocking stories of the Second World War. More than a hundred thousand German men — classified as “mischlinge” (the derogatory term the Nazis used to describe those descended from one or two Jewish grandparents) — fought in the German armed forces.
The story of one such mischling is at the center of The Mitzvah and actor (and child of survivor) Roger Grunwald seamlessly transforms himself into an array of characters to tell that story. In addition to Christoph (the “mischling”), other characters include Schmuel, a Polish Jew from Bialystok and the play’s Chorus who offers edgy commentary that probes the boundary between the absurd and the horrific. The Mitzvah is a touching and tragic tale told in a powerful one-act solo performance created by Grunwald and Broadway veteran Annie McGreevey.
Caladh Nua is a tightly-knit, vibrant and staggeringly talented band with its origins deeply rooted in the Southern counties of Ireland. Comprised of five versatile musicians and singers playing a wide selection of instruments – from banjo to fiddle, guitar to bodhran and tin whistle to button accordion – the band has captured the essential qualities of traditional Irish music and balanced them finely with an innovative contemporary flair.
Through a series of international tours and festivals across the globe, which saw the band take the stage in cities such as Paris, Vienna, Copenhagen, Berlin, Mumbai and Vancouver, Caladh Nua has cast a uniquely captivating net of Irish music and song over an ever widening worldwide audience.
A long list of TV and radio broadcasts of their performances and two acclaimed recordings includes American Public Radio, the BBC, and RTE. Performing a vast repertoire of haunting songs and evocative Irish tunes, Caladh Nua is a young ensemble on the rise.