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I Wish That I Had Spoken Only of It All: 20 Years of Sheryl Oring’s I Wish to Say

DiMattio Gallery at Rechnitz Hall

With backgrounds in journalism and fine art, Sheryl Oring began her ongoing project I Wish to Say in 2004 from a concern that many people’s voices were not being heard. She started to take dictation from the public about what they wanted to say to the (next) President. Dressed as a 1960s secretary with a typewriter, she records whatever participants say onto a postcard, making copies with carbon paper. During larger events, a secretarial bank takes dictation. Oring mails the postcards to the White House and exhibits copies. To date she has mailed over 4100 postcards.

Free and open to the public

Mike Richison’s Election Collection: 2004-2024

Rotary Ice House Gallery

Mike Richison’s Election Collection: 2004-2020 showcases 20 years of design and video art inspired by the presidential election cycle. Richison began working with this topic in 2004 when he created a short video loop of George W. Bush drinking water during the debates. This evolved into performances and interactive video projects that break down language into musical and abstract elements.

Free and open to the public
Event Series Bring in Da Funk, Part II

Bring in Da Funk, Part II

Virtual

Parliament/Funkadelic’s George Clinton declared “we want the funk,” and by the mid-70s the genre was in full swing. On the R&B and pop charts as well as on the dance floor, funk had officially taken over. This two-session virtual course taught by Kit O’Toole covers the peak of the genre, its eventual decline in popularity, and its continuing influence. Artists examined include the Ohio Players, Stevie Wonder, Average White Band, Kool and the Gang, Earth, Wind, and Fire, the Commodores, Cameo, Slave, Zapp and Roger, and many more. In addition, subgenres including go go, punk funk (coined by Rick James), funk rock, and Bay Area funk will be covered. The course includes multimedia presentations and class discussions.

$50 (for two sessions)

Adult Education Series: Christmas Time Is Hear Again

Virtual

From 1963 to 1969, the Beatles sent Christmas messages on flexidiscs to their US and UK fan clubs. In 1970, a compilation of these messages was sent out, and they were re-released as a collector’s set in 2017. Join SCOTT FREIMAN and KEN WOMACK for a one-session virtual course to explore this unique aspect of the Beatles’ history.

$20 for one session

The Doors

The Great Hall Auditorium/Virtual 400 Cedar Ave, West Long Branch, NJ, United States

It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss. This event will feature The Doors.

Free and open to the public, but registration is required.

Harold Pinter, Betrayal

Virtual

Join us for Tuesday Night Book Club! Hosted by Monmouth University’s Ken Womack. This month’s novel is Harold Pinter, Betrayal. “One of the most essential artists produced by the twentieth century. Pinter’s work gets under our skin more than that of any living playwright.” —New York Times. Upon its premiere at the National Theatre, Betrayal was immediately recognized as a masterpiece. It won the Olivier Award for best new play, and has since been performed all around the world and made into an Academy Award-nominated film starring Jeremy Irons, Ben Kingsley, and Patricia Hodge. Betrayal begins with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time through the stages of their affair, ending in the house of Emma and her husband Robert, Jerry’s best friend.

Free and open to the public, registration required.

Michael Malpass: Renaissance Man

DiMattio Gallery at Rechnitz Hall

Through the alchemy of welding and traditional blacksmithing, Michael Malpass commanded steel, bronze, copper, and brass with a sculptor’s precision. He elevated these industrial remnants, liberating them from their utilitarian past, and reimagined them as vibrant works of art— imbuing them with new life and meaning.

Free and open to the Public

Aida

Pollak Theatre

Soprano Angel Blue makes her long-awaited Met role debut as the Ethiopian princess torn between love and country, one of opera’s defining roles. Music Director Yannick Nézet-Séguin takes the podium for Michael Mayer’s spectacular new staging, which brings audiences inside the towering pyramids and gilded tombs of ancient Egypt with intricate projections and dazzling animations. Mezzo-soprano Judit Kutasi, following her 2024 debut in Verdi’s La Forza del Destino, is Aida’s Egyptian rival Amneris, and tenor Piotr Beczała is the soldier Radamès—completing opera’s greatest love triangle. The all-star cast also features baritone Quinn Kelsey as Amonasro and bass Dmitry Belosselskiy as Ramfis. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

$23 (general public); $21 (seniors), $10 (child) and $5 (Monmouth U. Students)

Akhil Sharma – Visiting Writer

The Great Hall -104

Sharma is a highly decorated short-story writer and novelist; he’s been awarded many of the most prestigious prizes and recognitions that a fiction writer can receive. His first novel, An Obedient Father (Farrar, Straus & Giroux, 2000), hailed in New York Magazine by Jonathan Franzen as “A great novel” and described by Hilary Mantel in the New York Review of Books as “uncompromising,” with a “first chapter . . . blasts off the locks and splinters the wood,” received the PEN/Hemingway Award for Debut Novel and was chosen as a New York Times Notable Book of the Year.

Free and open to the public

Florence and the Uffizi Gallery

Pollak Theatre

Florence and the Uffizi Gallery is a journey into the Italian Renaissance through the most beautiful, representative works of art of the period. It is a totally immersive and unique experience and allows the audience t0 see, listen, feel and savor the most outstanding and celebrated breeding ground of creativity in the history of art.

$23 (adult); $21 (senior); $10 (child); $5 (MU student)