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I Wish That I Had Spoken Only of It All: 20 Years of Sheryl Oring’s I Wish to Say

DiMattio Gallery at Rechnitz Hall

With backgrounds in journalism and fine art, Sheryl Oring began her ongoing project I Wish to Say in 2004 from a concern that many people’s voices were not being heard. She started to take dictation from the public about what they wanted to say to the (next) President. Dressed as a 1960s secretary with a typewriter, she records whatever participants say onto a postcard, making copies with carbon paper. During larger events, a secretarial bank takes dictation. Oring mails the postcards to the White House and exhibits copies. To date she has mailed over 4100 postcards.

Free and open to the public

Michael Anthony Donato: Angels & Devils

Pollak Gallery

Michael Anthony Donato, a School of Visual Arts graduate, is an award-winning children’s book illustrator. His work on Squanto and the First Thanksgiving aired on Showtime and earned honors from the American Library Association. His illustrations for Tales Alive, a collection of global folktales, received a Parents’ Choice Award. Donato also collaborated with Simon & Schuster and the Metropolitan Museum of Art on Voyage Up the Nile. He currently teaches drawing and advanced painting at Monmouth University.

Free and Open to the Public

Mike Richison’s Election Collection: 2004-2024

Rotary Ice House Gallery

Mike Richison’s Election Collection: 2004-2020 showcases 20 years of design and video art inspired by the presidential election cycle. Richison began working with this topic in 2004 when he created a short video loop of George W. Bush drinking water during the debates. This evolved into performances and interactive video projects that break down language into musical and abstract elements.

Free and open to the public
Event Series Producing the Beatles

Producing the Beatles

Virtual

Based on his acclaimed podcast, Producing the Beatles, Jason Kruppa explores the music of the Fab Four from the perspective of the one person whose point of view has never been properly and thoroughly examined: their producer, George Martin. Using innovative techniques to break down their recordings, we’ll discover how the Beatles went from learning their way around the studio to becoming masters of the art of recording, with their producer working side by side with them each step of the way. And finally, with re-recordings and detailed recreations of Martin’s orchestral scores that allow us to hear individual instrument parts,, we’ll learn how his arrangements enhanced and shaped the Beatles’ music.

$50 (for two sessions)