Met Music Director Yannick Nézet-Séguin conducts Verdi’s timeless tragedy La Traviata. Directed by Michael Mayer, this new production features a dazzling 18th-century setting that changes with the seasons. Diana Damrau is the doomed heroine Violetta, opposite Juan Diego Flórez as her lover, Alfredo, and Quinn Kelsey as Alfredo’s protective father, Giorgio Germont.
For the first time at the Met, Anna Netrebko sings the title role of Adriana Lecouvreur, the great 18th-century actress in love with the military hero Maurizio, sung by Piotr Beczała. Gianandrea Noseda conducts Cilea’s tragedy, directed by Sir David McVicar, with the action partially set in a working replica of a Baroque theater. The cast also features Anita Rachvelishvili as the Princess of Bouillon, Adriana’s rival for Maurizio’s affections; Ambrogio Maestri as Michonnet, Adriana’s faithful friend; and Carlo Bosi as the duplicitous Abbé.
Monmouth University, along with the Bruce Springsteen Archives and Center for American Music housed at the university, in partnership with Netflix, will hold a free, public screening of the film “Springsteen on Broadway” on Sunday, Jan. 13 at 4 p.m. in Pollak Theatre. Ticket reservations for the screening are available online and are required for […]
Born into the world of art and design, Mike Quon learned the ropes early on from his father who was an art director and an animator and promotional artist at Disney working on classics like Dumbo and Fantasia. After graduating from UCLA School of the Arts, Mike launched his own career as an art director at J. Walter Thompson and Young and Rubicam before establishing his award-winning design office in New York City 30 years ago. Since then, Mike’s bold and bright promotional illustrations for advertising and editorial campaigns, his graphic design collateral and packaging, and his hand-crafted logos have been seen around the world, helping to promote events like the Summer Olympics and build lasting brand identities for consumer products, businesses and nonprofits.
As a universal language the arts are a very effective tool for addressing social issues. The #metoo movement has brought to the surface long ignored injustices perpetrated mostly against women for generations that are finally screaming to be remedied. This juried exhibition will feature works that eloquently depicts remedies, that teach us how to honor women and others who have been maligned, how to implement change within our culture, to alter perceptions and ultimately excise this malady for future generations.
In 1990, to protect his fragile mother from a fatal shock after a long coma, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared.
Multi-award-winning drama The Madness of George III will be broadcast live to cinemas, in National Theatre Live’s first ever broadcast from Nottingham Playhouse.
Written by one of Britain’s best-loved playwrights Alan Bennett (The History Boys, The Lady in the Van), this epic play was also adapted into a BAFTA Award-winning film following its premiere on stage in 1991.
The cast of this new production includes Olivier Award-winners Mark Gatiss (Sherlock, Wolf Hall, NT Live Coriolanus) in the title role, and Adrian Scarborough (Gavin and Stacey, Upstairs Downstairs, After the Dance).
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
For the first time at the Met, Anna Netrebko sings the title role of Adriana Lecouvreur, the great 18th-century actress in love with the military hero Maurizio, sung by Piotr Beczała. Gianandrea Noseda conducts Cilea’s tragedy, directed by Sir David McVicar, with the action partially set in a working replica of a Baroque theater. The cast also features Anita Rachvelishvili as the Princess of Bouillon, Adriana’s rival for Maurizio’s affections; Ambrogio Maestri as Michonnet, Adriana’s faithful friend; and Carlo Bosi as the duplicitous Abbé.
Sherrill Roland began his socially engaged artwork The Jumpsuit Project in 2016 and continues to use his project to ignite conversations around issues related to mass incarceration. While a graduate student, Roland was wrongfully convicted and spent over ten months in prison. Although eventually exonerated of all charges and granted a bill of innocence, his experiences with the justice system had a lasting effect on both his life and his artistic practice. When he returned to campus, he wore an orange jumpsuit everyday up to and during his graduation ceremony, encouraging all who encountered him and his jumpsuit to address their own prejudices toward those incarcerated. Through sharing his own story, and creating a space for others to process, question, and share, he sheds light on the enormous darkness incarceration brings.
Clémentine Margaine is opera’s ultimate seductress, opposite Roberto Alagna, who captivated Live in HD audiences as Don José in 2010. Louis Langrée conducts Sir Richard Eyre’s lively production, a favorite in the Met’s repertoire.
Run Time: 3:41
