First Senior Show: Fine Art & Animation
Joan and Robert Rechnitz HallFeaturing the work of Monmouth University graduating seniors who will receive their degrees in Fine Art and Animation.
Featuring the work of Monmouth University graduating seniors who will receive their degrees in Fine Art and Animation.
As a universal language, the arts have always been an effective tool for addressing social issues. Artivism or “activist art” is a form of social protest that explores cultural and political concerns. However, it is much more than just an innovative tactic, Artivism involves an entire practice that attempts to inspire positive change in society. This juried exhibition will feature works of art that employ spectacle, symbolism and collective participation to fight for issues of social justice including racial discrimination, gender equality, fair labor practices, human rights and more.
Featuring the work of Monmouth University graduating seniors who will receive their degrees in Graphic Design.
Featuring the select works by Monmouth University students in Photography,
Graphic Design, Animation and Studio Art.
This juried exhibition will showcase the talents and abilities of artists living with Autism Spectrum Disorder and continue the conversation about the unique power of art in the autism community. Select pieces of work will be for sale and a portion of the proceeds will benefit the Autism Program Improvement Project at Monmouth University’s School of Education.
Please join us for the closing reception of Vincent DiMattio/50 a retrospective of work by Vincent DiMattio celebrating his 50 years as a professor in Monmouth University’s Department of Art & Design at 6:30 PM in the Pollak, DiMattio & Ice House Galleries. After the reception, there will be the premiere of a documentary film The Other Vincent at 7:30 PM in Pollak Theatre about Vincent DiMattio’s 50 year journey at Monmouth University as an artist and educator.
Born into the world of art and design, Mike Quon learned the ropes early on from his father who was an art director and an animator and promotional artist at Disney working on classics like Dumbo and Fantasia. After graduating from UCLA School of the Arts, Mike launched his own career as an art director at J. Walter Thompson and Young and Rubicam before establishing his award-winning design office in New York City 30 years ago. Since then, Mike’s bold and bright promotional illustrations for advertising and editorial campaigns, his graphic design collateral and packaging, and his hand-crafted logos have been seen around the world, helping to promote events like the Summer Olympics and build lasting brand identities for consumer products, businesses and nonprofits.
The exhibition features a selection of some twenty-one works. All are from Monmouth University’s extensive collection of Jacob Landau’s work, comprising over 300 prints, drawings and paintings. The collection was gifted to Monmouth University in 2008 by the Jacob Landau Institute of Roosevelt, NJ. This exhibit is co-sponsored by the Jewish Culture Studies Program and the Honors School of Monmouth University.
An exhibit of drawings on napkins and new works by Vincent DiMattio. DiMattio earned his MFA from Southern Illinois University and his BFA from Massachusetts College of Art. He joined Monmouth University’s faculty in 1968 where he served as the department chair for 13 years and as gallery director for more than 20 years. He has shown his work internationally in Madrid, Spain; San Juan, Puerto Rico and Pueblo, Mexico. He has also exhibited throughout the United States, and at both the Newark and Trenton Museums.
On the afternoon of September 11, 2001, Jonathan C. Hyman, an artist and photographer based in upstate New York, embarked on a journey to document responses to the 9/11 terrorist attacks appearing in the landscape around him.
Armed almost daily with his camera, ladder, and car, Hyman captured evidence of the grassroots expressions of everyday citizens spurred by this national catastrophe. His investigations took him from Maine to Florida and west to Illinois, though the majority of photographs were taken closer to New York City. The result is an expansive archive of more than 20,000 film and digital images. Hyman encountered improvised tributes and memorials on public and private property, in urban and rural areas, and on all manner of surfaces from building walls, handball courts, and vehicles to tree trunks, construction fencing, and human skin. He continued for years to document these unofficial memorials, many of which remained long after the emergence of more formal tributes.