A Symposium on Curricular and Scholarly Innovations based on the United Nations Sustainable Development Goals (SDGs) Exploring National and International Efforts Toward Equity, Coastal and Climate Futures, Sustainability and Social Justice, and Global Partnership for Sustainable Development.
Nathalie Stutzmann conducts her second Mozart work this season with a new production of Die Zauberflöte. In his Met-debut staging, Simon McBurney incorporates projections, sound effects, and acrobatics to match the spectacle and drama of Mozart’s fable. The brilliant cast includes soprano Erin Morley as Pamina, tenor Lawrence Brownlee as Tamino, baritone Thomas Oliemans in his Met debut as Papageno, soprano Kathryn Lewek as the Queen of the Night, and bass Stephen Milling as Sarastro.
The play is set in the backyard of two adjoining houses in the working class neighborhood of South Philadelphia. They are about to celebrate the 21st birthday of Francis Geminiani, a Harvard student, when two classmate friends from Harvard and Yale, Judith and Randy, show up unexpectedly. Since there isn’t a spare bedroom in either house they pitch a tent in the backyard. Francis’ classmates, the wealthy Judith seeks romance with Francis not realizing that her brother Randy is the object of Francis’ unexpressed affection. Each of the characters in the play are dysfunctional to some degree and their celebration of Francis’ birthday brings out the best of comedy and drama. The birthday party is a series of comic incidents that provide laughter and serious realizations that lead up to the final joyous ending. The crazy fast moving celebration leaves each character a bit wiser and happier having celebrated Francis’ 21st birthday.
