• Art & Design

    300 Level Courses

AR 183 - Black and White Photography I

Technical proficiency in basic black and white photography, including exposure, developing, printing, and presentation. Photography is presented as a tool to understand the world and as a means of expression and communication. Students will learn how to interpret and discuss the visual language of photography.

AR 311 - Drawing 3

Seeing the figure, objects, and the environment; exploring all possible avenues of expression resulting from the experience of seeing; drawing experiences in various media. Six hours per week. Prerequisites: Art 113, 114, 191 and 192.

AR 325 - Writing Supplement for Art and Design

The writing component for co-registered studio classes which integrates a fifteen-page research paper. Emphasis is placed on the quality of writing and research. Prerequisites: English 101 and 102 or permission of the instructor. Corequisite: A 200-, 300-, or 400-level studio course.

AR 326 - Writing Supplement for Art and Design

The writing component for co-registered studio classes which integrates a fifteen-page research paper. Emphasis is placed on the quality of writing and research. Prerequisites: English 101 and 102 or permission of the instructor. Corequisite: A 200-, 300-, or 400-level studio course.

AR 335 - BFA Internship/Seminar

Internship experience with the development of occupational or professional competence in the career setting. Combines both internship work experience at an approved work location with a structured seminar class. The seminar component of this course will also guide students through the process of resume writing, interviewing techniques, and best business practice. On-site graphic design work internship (fifteen to twenty hours per week) plus one hour weekly seminar with faculty. This course may be repeated once for credit. Prerequisites: Art 270 and 273.

AR 337 - Art/Design Internship Seminar

Internship experience with the development of occupational or professional competence in the career setting. Combines both internship work experience at an approved work location with a structured seminar class. The seminar component of this course will also guide students through the process of resume writing, interviewing techniques, and best business practice. On-site graphic design work internship (ten to fifteen hours per week) plus one hour weekly seminar with faculty. This course may be repeated once for credit.

AR 345 - Early to Late Modern Art

Trends and influences in art. Painting, sculpture, and architecture from 1912 to the present day. Museum visits required. Prerequisites: English 101 and 102 or permission of the instructor.

AR 348 - Art of India

The visual art of India: how to look at it and how it might be best understood. The larger cultural context in which this art was produced, drawing upon history, religion, mythology, and literature will be discussed. Essentially, pre-modern Indian art is religious art. After studying the major monuments associated with Buddhism and Hindu art, the themes common to both traditions will be considered. The temple as an artistic expression and as a religious center will be explored. Because of the vastness of India art, this course will not include Mughal and later monuments.

AR 349 - Asian Art Survey

Important Artistic Monuments from India, China and Japan. Since Buddhism is a connecting link for Asian cultures, emphasis is placed on Buddhist art. Prerequisites: English 101 and 102 or permission of the instructor.

AR 351 - Methods of Teaching Art I

The history and philosophy of art education; the construction of art curricula and the exploration of teaching methods; media and tools appropriate for the educational level. Methods I deals with the needs of the elementary school child. Open to Art majors only. Also listed as Education 351. Prerequisites: Art 114, 116, and 192.

AR 371 - Graphic Design Studio III

Marks the transition from graphic design fundamentals to more complex visual problem solving. Projects focus on corporate identity and branding, including client research, design briefs, creative exploration and implementation. Other projects include multi-page magazine and poster design. Professional preparation of work for commercial use is an integral part of this course. Prerequisites: Art 269 and 270.

AR 374 - Digital Imaging

Advanced concepts and creative techniques in digital imaging using Adobe Photoshop. Projects build on all previously learned software, specifically the Adobe Creative Suite. Assignments will include aspects of fine art and large format printing along with issues relating to the professional printing industry. Prerequisite: Art 273.

AR 381 - Print: Intaglio/Relief

Introduction to the printmaking techniques of relief printing; linocut, woodcut, and etching; hard and soft ground, and aquatint. Six hours per week. Department chair approval is required for non-art majors. Prerequisites: Art 191 and 192.

AR 383 - Web Design/Interactive I

n introduction to web design and production. It covers an overview of the creation of Web sites and the use of Web graphics, animation, and multimedia through Web-based software programs. Fundamentals of graphic production, layout design principles, animation, navigation, and the engineering principles of multimedia are included. Prerequisite: Art 253 or 374.

AR 385 - Flash Animation

Integrating previously learned concepts such as basic computer graphics, drawing, typography, and 2D design, students will be able to develop the basic animation skills in Adobe Flash and produce digital graphics and character based animations. Students learn and experience the arts of storytelling, animation, cinematography, and sound editing while developing a critical eye towards the use of these concepts in current media venues. Beside Adobe Flash, a variety of software tools including Photoshop, Illustrator, and sound editing tools are used to develop concepts and visual effects after a careful planning and scripting process. Prerequisite: Art 374.

AR 386 - Principles of 3-D Animation

Students will learn the basic theories and principles of 3D computer animation and advances techniques of object building using Maya. Students will gain experience with basic animating, texturing, rendering, and constructing complex 3D objects in Maya. Prerequisite: Art 172 or 181.

AR 390 - Animation/Motion Graphics I

An introduction to the art of time-based, graphic storytelling. Emphasis will be placed on the creation of engaging digital environments through the thoughtful integration, manipulation and orchestration of audio, video, still and three-dimensional imagery. Prerequisite: Art 181 or 374.

AR 391 - Animation/Motion Graphics 2

Explores the commercial and experiential nature of motion graphics. Projects for this advanced course expand upon established time-based narrative structures for film, video and television. Emphasis is placed on a keen awareness of syntactic elements that constitute the grammar of motion (scale, position, color, and tempo), which sheds light upon how audiences interpret moving images. Study and application of literary theory provides a substantive framework from which to create and critique projects. Concept development through research, writing, storyboarding and editing are absolutely essential. Prerequisite: Art 390.

AR 393 - 3-D Animation Production

Concepts, tools and techniques employed in animated storytelling. Students will pre-visualize their projects through storyboarding, planning, and assembling shots in sequence. Students will learn how to combine sound with advanced 3D computer animation. Audio/visual synchronization as well as character lip syncing with phonemes will be explored. Students will construct complex 3D animated stories in Maya and complete a fully animated piece. Prerequisite: Art 387.

AR 399 - Independent Study in Art

Guided research - a studio project or art history topic. Weekly consultation. May be elected for a total of six credits.