AR 217 - Sculpture I
Sculpture for beginners as well as intermediate students, including modeling from life, direct sculpture in plaster, clay modeling, and simple casting procedures. Six hours per week. Prerequisites: Art 116, 191, and 192 for art majors. Department chair approval is required for non-art majors.
AR 218 - Sculpture II
A direct continuation of AR 217, Sculpture I, along with some assemblage, construction and alternate casting methods. Six hours per week. Prerequisite: Art 217.
AR 221 - Painting I
Techniques and craftsmanship to facilitate expression in acrylic or oil painting; still-life and landscape subjects. Art and Art Education students must have prerequisite. Six hours of studio work per week. Prerequisites: Art 113, 114, 191, and 192 for art majors. Department chair approval is required for non-art majors.
AR 222 - Painting II
A continuation of Art 221, Painting I, with emphasis on the further development of painterly ideas and creative thinking. Art and Art Education majors must have prerequisites. Six hours of studio work per week. Prerequisite: Art 221.
AR 241 - History of Western Art I
Survey of the significant styles and periods in Western art and architecture from Prehistoric to Gothic periods. Weekly lectures and discussions assist students with developing their visual literacy and a critical understanding of the past.
AR 242 - History of Art II
The fundamental ideas underlying the significant periods and styles in painting, sculpture, and architecture. Three weekly lectures plus required museum visits. Semester I: ancient civilization through the Gothic period. Semester II: Renaissance to c. 1940.
AR 243 - History of Graphic Design
A survey of the history of graphic design in the twentieth and twenty-first centuries. The course is an overview of design and instructs students in researching areas of interest to broaden their knowledge of contemporary issues in graphic design. Prerequisites: English 101 and 102 or permission of the instructor.
AR 244 - History of Photography
A topically arranged survey of world photography, this course takes as its central concern the multiple purposes to which photography has been adapted since its discovery in the early nineteenth century. Although the relationship between photography and fine art is considered, the many non-art uses of the medium are also discussed in an attempt to better understand the cultural contexts in which photography has been employed. Prerequisites: English 101 and 102; or permission of the instructor.
AR 253 - Digital Photography II
Students develop knowledge of image development, construction, retouching, and collage techniques using traditional film, digital images, and drawing as source material. Students will learn a variety of camera skills, including shooting in RAW format. A critical examination of intent is stressed along with output options and color management. Introduces programs such as Aperture and/or Lightroom to further expand digital workflow skills. Prerequisites: Art 181 and 183.
AR 265 - Hand Built Ceramics
An introduction to clay as a creative material for making both functional and sculptural 3-D forms using various hand-building techniques, including coils, slabs, carving, incising, and their combination. Basic glazing and firing methods will be covered. Slide presentations, group and individual critiques will be part of the curriculum.
AR 269 - Graphic Design Studio I
An introduction to graphic design, including conceptual thinking, letterform design, layout, and design techniques. Students will also be introduced to design history and current issues regarding the profession. Department chair approval is required for non-art majors. Prerequisite: Art 113 for Art majors only. Corequisite: Art 114.
AR 270 - Graphic Design Studio II
Introduces more advanced visual communications and typographic problem solving. Projects strategically test the students' understanding of design theory and thinking. Individual projects mimic those in a professional design environment and are developed following the traditional creative process. Projects focus on three-dimensional principles as they relate to the area of packaging. Prerequisites: Art 172 or 177, and 269.
AR 273 - Digital Illustration
A continuation of Computer Graphics with primary emphasis on more advanced illustration software. Assignments build on previously learned software and concepts. Projects may include illustrative posters, booklets, and interiors. Prerequisite: Art 172 or 177.
AR 283 - Black and White Photography II
Focuses on advanced technical skills as a means of gaining greater personal and aesthetic understanding. Advanced 35mm camera and printing techniques, basic studio lighting, and exploring different photographic formats including medium, large, and toy cameras, as well as experimental techniques of image making and printing. Prerequisite: Art 183.
AR 284 - Web Design Dynamic for Non-BFA Candidates
Integrates previously learned Web design and development concepts. Allows students to focus on the Web interactively and 2D animation using Adobe Flash and audio/video files on the Internet.Besides Adobe Flash, a variety of software tools including Photoshop, Illustrator, and sound editing tools are used to develop design concepts, Web graphics, animation, and interactiveWebsites/applications after a careful planning process. This course meets six hours per week. Not available to Fine Arts majors. Prerequisite: Art 178.
AR 286 - Maya Animation for Non-BFA Candidates
Students will learn basic techniques of building three-dimensional, digital objects along with the basic theories and principles of animation using the software Maya. Skills needed to construct 3D objects in Maya will be introduced with hands-on experiences on the Macintosh platform. Meets six hours per week. Not available to Fine Art majors. Prerequisites: Art 178, Art 181 or Communication 145, and Art 284.
AR 287 - Typography
An introduction to the theory, function, history, and impact of typography in graphic design. This course is an analysis of the shape and form of letters. Investigation and comparison of existing typefaces, type specification and layout in relation to graphic design and the printed piece. Prerequisites: Art 113, 114, 172 or 177, and 269.
AR 290 - Motion Graphics for Non-BFA Candidates
An introduction to the art of time-based, graphic storytelling for non-art/design majors. Emphasis will be placed on the creation of engaging digital environments through the thoughtful integration, manipulation, and orchestration of audio, video, still, and three-dimensional imagery. Meets six hours a week. Not available to Fine Arts majors. Prerequisites: Art 178, Art 181 or Communication 145, and Art 284.
AR 298 - Special Topics in Art (200 Level)
An intensive study of a particular subject or problem in art to be announced prior to registration. The course may be conducted on either a lecture-discussion or a seminar basis. Prerequisite: As announced in the course schedule.